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Alfred Hitchcock's The 39 Steps

  • Presented By
    Edward Snape for Fiery Angel, Andrew Kay & Associates & Tinderbox Productions
  • Venue
    Playhouse
    View seating plan
  • Dates
    2008-07-31
    2008-08-31
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Description
Synopsis
Artists
Reviews

Description

"...it is the physical comedy, mimicry and clowning that make The 39 Steps diverting and fun."  Sydney Morning Herald  

"A Joyous Version of the Hitchcock Classic." Sunday Times

The West End and Broadway smash hit, The 39 Steps, Alfred Hitchcock’s classic spy thriller brilliantly and hilariously recreated for stage is coming to Australia!

This blissfully funny show follows the incredible adventures of our handsome hero Richard Hannay, complete with stiff-upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents, and, of course, devastatingly beautiful women. 

This wonderfully inventive and gripping comedy thriller features four fearless actors, playing 139 roles in 100 minutes of fast-paced fun and thrilling action.

Winner Best New Comedy  Laurence Olivier Awards 2"007

"Rolicking Fun"  The Times

"Dizzyingly Entertaining" The Telegraph

Duration: 110 minutes including Interval

Synopsis

In a London music hall, Canadian Richard Hannay is watching a performance by the memory man Mr Memory when gunshots are fired and the audience disperses in panic. Outside, Hannay is accosted by a mysterious foreign woman, who invites herself back to his flat. The woman, who gives her name as Anabella Smith, eventually reveals that she fired the shots, to create a diversion to allow her to escape from two men who are following her. She is a spy working for the British government, seeking to prevent the transport of certain vital military secrets out of the country. She tells the sceptical Hannay of a sinister conspiracy, led by an enemy agent who has one identifying feature - he is missing part of a finger on his right hand. She must make contact with a man in Scotland if she is to have any hope of stopping the conspiracy.

Later that night, Hannay awakens to find the woman staggering over him, a knife in her back. She dies, clutching the map of Scotland, on which she has marked a remote village. Realising that he is now in danger himself, and that the police will suspect him of the murder, Hannay grabs the map and makes his escape, borrowing a milkman's uniform and cart to get past the enemy agents.

He reaches King's Cross station seconds ahead of his pursuers and boards a train headed for Scotland. When the train arrives in Edinburgh, Hannay learns that the body has been discovered in his flat, and the police are looking for him. The police board the train, and Hannay seeks to evade them by posing as a woman's lover, but the woman exposes him to the police and he is forced to flee.

Convincing the police that he has left the train, Hannay arrives at his destination and makes his way towards the village. On his way he encounters a stern and pious crofter. Posing as a mechanic looking for work, Hannay asks him if there have been any new arrivals locally. The crofter tells him of a professor who has taken a house in the next village, who Hannay takes to be the contact mentioned by Anabella, but it is already too late to get there before dark. The crofter reluctantly agrees to put him up for the night, for a price.

However, he becomes suspicious of Hannay when he spies him talking to his young wife, Margaret. That night, Margaret sees the light of approaching cars and rushes to warn Hannay, but her husband follows her, assuming she is planning to betray him. Hannay offers him five pounds to keep his secret, but when the police arrive he looks set to give Hannay up before Margaret helps him to escape through the back, giving him her husband's coat to cover his own conspicuous jacket.

Hannay makes his way to the professor's house, where a party is in progress. When the guests have left, the professor takes Hannay to his study, where Hannay tells him his story. But the professor is the man with the missing finger, and he turns a gun on Hannay and shoots him. Hannay is saved when the bullet is stopped by the bible in the crofter's coat, and heads for the local sheriff. The sheriff does not believe his story, and Hannay is forced to break out of the office.

With the police in pursuit, Hannay sneaks into a political meeting, where he is mistaken for a guest speaker. After ad-libbing a rousing speech, Hannay is captured, identified by the same woman, Pamela, who earlier exposed him onthe train. The two are taken by car, ostensibly to a police station at Inverary, but when it becomes apparent that they are heading in the wrong direction, Hannay takes advantage of the distraction of a herd of sheep on the road to make a getaway, with Pamela, now handcuffed to him, reluctantly in tow.

The two make their way to a boarding house, where at Hannay's insistence they pose as an eloping couple. Pamela refuses to disbelieve Hannay's story until she sees the two agents who are trying to track him down. Overhearing their conversation, she realises Hannay has been telling the truth.

When Hannay wakes, she tells him that she overheard the men talking about a rendezvous at the London Palladium. Hannay is furious that she didn't wake him earlier and the two set off for London. As Hannay heads for the London Palladium, Pamela goes to Scotland Yard to alert the police, but they tell her that the Air Force report no missing papers. Frustrated, she leaves, but the police have her followed in the hope that she will lead them to Hannay.

At the Palladium, Pamela joins Hannay in the audience, with the police behind her. Hannay spots the professor in one of the boxes. When Pamela tells him that no papers are missing, Hannay is mystified, but remains convinced something is afoot when the compere introduces Mr Memory. Realising that this is the key to the whole conspiracy, Hannay asks Mr Memory what are the 39 Steps, but he is shot by the professor before he is able to complete his reply. The police catch the professor and, backstage, Hannay and the police manage to extract from the dying Mr Memory the details of the stolen military secrets. Relieved, Hannay and Pamela join hands, the handcuffs still swinging from Hannay's wrist.

Artist list
Richard HannayMark Pegler
PamelaHelen Christinson
Man 1Jo Turner
Man 2Russell Fletcher

Helen Christinson (Pamela, Annabella, Margaret)

Helen graduated from QUT’s Acting program in 2004. While at QUT she was fortunate enough to work with such directors as Michael Gow, Jennifer Flowers, Karen Crone and Sean Mee on shows such as Live Acts on Stage, The Winter’s Tale, Roberto Zucco and The Rocky Horror Picture Show.

After graduating from QUT Helen played the dual role of Ellen and Sarmitte in LaBoite’s The Drowning Bride, directed by Michael Futcher. Helen has also worked at QTC, again under the direction of Michael Gow, playing Amanda in Private Lives, a co-production with STCSA, and the seductive widow-next-door, Fanny Wilton, in Ibsen’s John Gabriel Borkman.  She has also delved into her darker side playing Lena in the Stablemates’ production of Marius von Mayenberg’s The Cold Child directed by Anthony Skuse.

Helen’s film credits include Rapid Fear, Endurance Island, The Underdog’s Tale and Harrisville.

Helen’s dream of working with MTC was realised this year when she was cast in The 39 Steps under the direction of Maria Aitken. She has loved every minute of working on this show and thrilled to be a part of the Australia, New Zealand and Asian Tour of The 39 Steps.

 

Russell Fletcher (Man 2)

Russell Fletcher is a comedy all-rounder, from Shakespeare in the Park to being the only Australian to have appeared on Whose Line Is It Anyway? (UK 1993). A legendary Theatresports all-star, in 2001 Fletcher was the coach of the victorious Australian Team at the World Improvisation Championship in Montreal. Fletcher is also the Host of the incomparable Spontaneous Broadway, Director and performer with Troupe Du Jour – one of the hottest corporate acts in Australia, and in 2007 he toured nationally with his award winning A Tribute To Danny Kaye.

Fletcher has directed for the internationally renowned Arena Theatre Company, and has directed two Barry Award nominated shows for the Melbourne International Comedy Festival: Scotty & Son - starring Denise Scott & Jordy Lane, (M.I.C.F. 2004), and Interrogation written and performed by Alan Brough and Greg Fleet (M.I.C.F. 2000).

Fletcher’s favourite role on TV was organising a Rock Mass as Father Ricky on Lano & Woodley.  2008 has been a busy year starting with the arrival of baby Alice in January; directing Primrose Hill by A.F.I. award winner Adam Zwar for the M.I.C.F.; and associate producer and performer for a new improvisation show for The Comedy Channel entitled Comedy Slapdown, hosted by H.G. Nelson.

For the Melbourne Fringe, Fletcher has previously won Best Original Work (King Of Fools 1996) and Best Comedy (A Tribute To Danny Kaye 2005).

Other theatre highlights: Twelve Angry Men, Cyrano De Bergerac (MTC 2005), Noises Off, Certified Male, The Complete Works Of Shakespeare and he’s very chuffed to be in this great production.

 

Mark Pegler (Richard Hannay)

Mark began his acting career at high school in Adelaide, taught by his then drama teacher, now internationally acclaimed theatre director, Gale Edwards.  He was a founding member of Gale’s company Energy Connection.  Mark then trained at NIDA, graduating 1984 and since then has worked extensively in theatre, film and television in both Sydney and Melbourne.  Film credits include One Such Night, Forty Five Dollars an Hour, Bullseye, Burke and Wills and Break and Enter, which won the AFI in 1999 for Best Short Film. 

Mark’s television credits include Blue Heelers, Stingers, Round the Twist IV, Dogwoman 2, The Last of the Ryans, State Coroner, Law of the Land, Phoenix II, A Country Practice, Flying Doctors, The Last Resort, Perhaps Love, Vietnam, Home and Away, Neighbours, MDA and All Saints.

Theatre credits for Sydney Theatre Company include: Embers, Festen, A Midsummer Night’s Dream, Blithe Spirit, Private Lives, All My Sons, Romeo and Juliet, Dance of Death and The White Devil which toured to New York.  For Melbourne Theatre Company: Blithe Spirit, The Duchess of Malfi, The Tempest, Private Lives, Julius Caesar and My Father’s Father

Mark has also performed with many other companies including Playbox (touring Japan and Korea), Chambermade Opera, Hothouse, Castlemaine Festival, Hildegarde, Chameleon Theatre Company, The State Theatre Company of South Australia, Company B, Bell Shakespeare Company, La Mama, Burning House, Melbourne Workers Theatre, O’Punksky’s, Marian Street, Nimrod Theatre Company, at The Comedy Theatre in Melbourne (Noises Off) and danced with Meryl Tankard's Australian Dance Theatre (Nuti and Kikimora).  Mark’s most recent appearance on stage was in The Kid for Griffin Theatre Company.

 

Jo Turner (Man 1)

Jo is an actor, director and writer. A graduate of Melbourne University, Jo then trained at the Ecole Jacques Lecoq in Paris. Graduating from Lecoq, Jo performed in Le Bus (Le Théâtre des Deux Rives and National tour). He then created and performed in several new works including Cabaret Monstre (Théâtre de la Jacquerie, Paris); Brainstorm (InTransit Theater. Swiss national tour); Dead on the Ground (Hoipolloi Theatre, Edinburgh Festival, national and international tour). Jo also directed Honestly for Hoipolloi (Edinburgh Festival, national and international tour).

In Australia Jo has performed with The Sydney Theatre Company: Thyestes, Fears and Miseries of the Third Reich (staged reading), New Russian Plays (staged reading), Howard Katz, Belvoir Street: The Caucasian Chalk Circle, The Ensemble Theatre: The Imaginary Invalid, The Australian Theatre of the Deaf: The Language of One, B Sharp: Faustus, The Q Theatre: The Investigation (staged reading), Weather, Somewhere, Black Swan Theatre Company (WA): Plainsong, La Boite Theatre (Qld): Emma’s Nose and The Street Theatre (ACT): Closer. He was in the feature film You Can’t Stop the Murders (Miramax) and short films Fear (AFTRS) and The Making of the Darlings…(Best Short - Aus. Cinematographers Guild).  For television Jo has appeared in Backberner, All Saints, White Collar Blue and numerous commercials.  Jo recently co-wrote and performed in the new multi-media/theatre show The Window which has toured to Brisbane, Japan and Adelaide.

Jo’s directing credits include Puntila and His Man Matti (ATYP), Don’t Stare too Much! (Darlinghurst Theatre), The No Chance in Hell Hotel (IPAC, Seymour Centre), Mademoiselle Fifi (Darlinghurst Theatre), Bookends Project (ATYP and Sydney Writers Festival), Nepean Graduates showcase day, Vanity Fair by Declan Donellan (ACTT), Death of a Stallion (Short and Sweet 08) and Crossfire by Michel Azama (Ashfield Youth Theatre).

Jo recently directed his first short film Eating Cake.

Reviews

 

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SEASON

Previews
31 July - 5 August

Season
6 August - 31 August

Click on calendar above for session times.

PRICES

Previews
Adults:
$69.90
Children Under 13: $34.90
*Concessions: $64.90
**Groups 8+: $59.90

Season
Adults:
$79.90
Children Under 13: $39.90
*Concessions: $74.90
**Groups 8+: $69.90

*Concessions are available to Australian pensioners, students and the unemployed.

**Group prices not available on-line.

INFORMATION

Group Prices: Please contact the Box Office on +61 2 9250 7777 or email for more information.

Please ensure you have your Proof of Concession with you when you attend a performance.

Booking fees may apply.

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