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Beethoven 4

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Description
Synopsis
Artists

Description

“[Lazic’s performance was] full of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassioned." New York Times

Beethoven's  lyrical, personal and serene Piano Concerto  No.4 is the ideal vehicle for rising star Dejan Lazic, who is as adept at poetry as virtuosity. Beethoven's Fourth Symphony is effervescent, witty and wise. As one critic said: “there are no words to describe the deep, powerful spirit of this work from his earlier and most beautiful period.”

Dean
Testament
Beethoven
Piano Concerto No.4
Beethoven
Symphony No.4

Duration: 2 hours including one 20 minute interval

Synopsis

Beethoven’s Fourth Piano Concerto begins with a moment of quiet radicalism, as the piano alone gently ushers the listener into the work. Where previous concertos were a contest between a heroic soloist and the opposing force of an orchestra, here Beethoven reconciles them in his most lyrical, personal and serene concerto. The intimacy of this concerto is the ideal vehicle for rising star Dejan Lazic, who is as adept at poetry as virtuosity.

Beethoven’s Symphony No.4 has been overshadowed by its celebrated siblings. But when you hear it, you’ll discover that the Fourth is effervescent, witty and wise. As Beethoven went on to more revolutionary experiments, one critic said, rather wistfully, “there are no words to describe the deep, powerful spirit of this work from his earlier and most beautiful period.” 

Brett Dean, one of the most acclaimed composers of his generation, has a gift for translating striking images into sound. The picture he paints in Testament is of Beethoven losing his hearing: bows skitter almost noiselessly across the strings simulating the frantic scratching of his quill, as snatches of his music surface and dissolve. The piece is a testament to the power of Beethoven’s creativity. As his hearing deteriorated he was spurred to create some of his most masterful scores, including the ones on this program.

Artist list
Artistic Director and Lead ViolinRichard Tognetti
PianoDejan Lazic

Dejan Lazic: Pianist Dejan Lazic was born in Zagreb, Croatia, and grew up in Salzburg where he studied at the Mozarteum. He is quickly establishing a reputation worldwide as “a brilliant pianist and a gifted musician full of ideas and able to project them persuasively” (Gramophone). The New York Times hailed his performance as “full of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassioned”. As recitalist and soloist with orchestra, he has appeared at major venues in Berlin, Paris, London, Vienna, New  York, Chicago, Tokyo, Buenos Aires and Sydney, and at the Edinburgh, Schleswig-Holstein, Verbier, Huntington and Menuhin/Gstaad Festivals.

In the 2006/2007 season he gave his debut at the New York Lincoln Center and the Amsterdam Concertgebouw to great critical acclaim. Orchestral engagements included London’s Philharmonia Orchestra with Vladimir Ashkenazy, Rotterdam and Hong Kong Philharmonic Orchestras, Australian and Netherlands Chamber Orchestras, Danish Radio Sinfonietta and the Bamberg Symphony Orchestra.

In season 2008/09 Lazic will be “artist in residence” at the Netherlands Chamber Orchestra. He has a growing following in the Far East where he returns for engagements with the Sapporo Symphony and for recitals in Tokyo and Beijing as well as for an engagement with Seoul Philharmonic Orchestra.

In the next season he will appear in recital at the BBC Belfast, in Istanbul and Salzburg, Queen Elisabeth Hall London and at Vienna Musikverein to mention just a few. Alongside his solo career, Dejan Lazic is also a passionate chamber musician. He collaborates with artists such as Benjamin Schmid, Thomas Zehetmair, Gordan Nikolic and Richard Tognetti.

Dejan records exclusively for Channel Classics. In January 2008 the first publication of the double portrait series with a Scarlatti/Bartok program is planned. The second CD will be released later in 2008 with a Schumann/Brahms program as well as a recording of the Khachaturian Concerto and the Rachmaninov Paganini Rhapsody with the Bamberg Symphony Orchestra and a CD with the London Philharmonic Orchestra and the Rachmaninov Concerto No.2. His last recording of Schubert’s sonata D960 and his earlier one with Beethoven Piano Concerto No. 2 have earned rave reviews. His compositions include various chamber music and orchestral works. In 2007/08 he will premiere his Kinderszenen op.15 for piano solo.

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Standard:  $98 / $79 / $59
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Under 30 years: $45 / $45 / $45

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