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Royal Concertgebouw Orchestra Program 1 'Legendary'

29 November 2013 – 01 December 2013

Venue: Concert Hall  View Seat Map
Presented by: Sydney Opera House

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125 Years in the Making: The Royal Concertgebouw Orchestra at Sydney Opera House

Description

Experience the magnificent sound of the legendary RCO as they perform Tchaikovsky’s epic Fifth Symphony and the suite from Stravinsky’s magical ballet The Firebird.

WAGENAAR Overture: The Taming of the Shrew, Op.25 (1909)
STRAVINSKY The Firebird: Suite (1919)
TCHAIKOVSKY Symphony No. 5 in E minor, Op.64

Mariss Jansons, conductor
Royal Concertgebouw Orchestra

Experience the magnificent sound of the legendary RCO as they perform Tchaikovsky’s epic Fifth Symphony and the suite from Stravinsky’s magical ballet The Firebird.

WAGENAAR Overture: The Taming of the Shrew, Op.25 (1909)
STRAVINSKY The Firebird: Suite (1919)
TCHAIKOVSKY Symphony No. 5 in E minor, Op.64

Mariss Jansons, conductor
Royal Concertgebouw Orchestra 

“Astonish me!” This was the challenge that Sergei Diaghilev, the impresario of the Ballet Russes levelled at his artists. One of them, the young Russian composer Igor Stravinsky, responded with three world-changing ballets. His first, The Firebird, is a heady blend of fairytale and sophisticated musical magic painted in the vivid colours of Russian folk art. The glittering spectacle galvanised Parisian audiences and made Stravinsky an overnight star. The Firebird immediately began a life outside the theatre – all of the sorcery and splendour of the ballet is there in a score that dazzles and soars, seduces and terrifies. In the hands of the RCO and Jansons, this is indeed music to astonish.

At the core of any orchestra’s repertoire must stand the late symphonies of Pyotr Tchaikovsky. They are documents as profound as any in Russian literature, epic and richly-textured dramas that transcend words but where feelings find expression in the perfect union of melody and tone colour. In one sense Fifth Symphony is ‘about’ the juxtaposition of extremes – melancholy with bright-eyed joy, brooding stasis with unstoppable energy. In other words it’s about life, as we’re propelled by through its peaks and valleys by inescapable fate (the ‘motto’ of this symphony). This one ends happily, with a victory celebration: a happy ending, for now. Along the way, Tchaikovsky pours his heart out in ravishing song and dance, amplified by the clarity, insight and magnificent sound of the legendary RCO.

The concert opens with a nod to the music of the Netherlands, with Dutch composer Johan Wagenaar’s bustling overture to Shakespeare’s comedy, in a glitzy style reminiscent of Richard Strauss.

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Pricing Information

Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.

Standard $89 - $499
2 Program Package* $246.50 - $841.50
Booking fee applies per transaction

$8.50 - Contact Centre
$8.50 - Internet
$5.00 - Box Office Counter

Pricing Information Explained

Pricing Information Explained

*Not available online. Transaction fee of $5-$8.50 applies to all booking, excluding Insiders. 15% discount available when you purchase tickets to both programs in the same reserve in the same transaction. Not available on D reserve. Offer strictly limited and not available in conjunction with any other offer (including an Insiders discount).

 

For events which offer concession pricing, if you purchase concession tickets, please ensure you have your Proof of Concession with you when you attend an event.

Ticket Booking Enquiries: For all general booking enquiries please email the Contact Centre or call on +61 2 9250 7777 for more information.

Groups Bookings: Please email the Group Booking team or call on +61 2 9250 7700 for more information.

Insider Prices: Insiders are Sydney Opera House members. Insiders get waived booking fees, up to 20% off Sydney Opera House Presents shows and more. More Info

Performance Dates

Reviews

‘The best orchestra in the world’ . The Guardian (UK)

‘Their sound is the equivalent of polished mahogany’ . The New York Times

‘The depth and eloquence of the strings, the quick-witted brilliance of the woodwind and the rounded security of the brass are unfailing.’ The Guardian (UK)

 

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