Determined to keep the score a secret, Verdi forbade his tenor from even whistling his aria 'La donna è mobile' outside rehearsals, lest someone overhear its catchy melody.
The revolving dollhouse-style set of Rigoletto weighs 16.5 tonnes. The floor of the palace is made of stainless steel tiles (they weigh 1.5 tonnes!). Watch it all come together.
What happens in the story?
The Duke of Mantua lives only for pleasure of the female kind. No man’s wife or daughter is out of his reach, and while the Duke seduces their women, Rigoletto mocks their misfortune. The men of the court plot vengeance, hatching a plan to abduct a beautiful woman they believe Rigoletto has hidden away.
The woman is Rigoletto’s daughter, who despite his best efforts to keep her hidden, has already caught the eye of the lustful Duke. He pays a visit to seduce the beautiful Gilda. Before he can complete his mission, Gilda is kidnapped by the mob of men, who take her to the Duke’s palace for his amusement. The distraught Rigoletto vows to take vengeance.
But Gilda loves the Duke, in spite of everything, and is prepared to go to any lengths to save him from her father’s wrath.
Love and vengeance meet in the darkness as the opera draws to its dramatic, devastating conclusion.
Who was the composer?
Giuseppe Verdi had a gift for taking a character marginalised by society and putting them centre stage, whether it be a hunchbacked jester in Rigoletto, an Ethiopian princess in Aida or a courtesan in La Traviata.
He wrote big, beautiful melodies that demanded technical brilliance from his singers but are also undeniably catchy.
The composer was born in a small village in Parma to a poor family. He became a music teacher and conductor before finding success as an opera composer. By the time he died in 1901, his fame was such that 200,000 people lined the streets at his funeral to pay their tribute.
What’s the biggest hit?
'La donna è mobile'. Verdi knew he’d written a bona fide hit: he only gave the tenor the music a few days before the opening, and forbade him from even whistling it in public, lest one of his competitors steal it and pass it off as their own.
Where have I heard that before?
Everywhere. From advertising to movies, this has got to be the catchiest tune in opera.
A prolific opera composer, Verdi was always on the lookout for a strong character to base his next work on, and when he read Victor Hugo’s play Le Roi s’Amuse, he was captivated. The story of a lascivious King and his hunchbacked jester was banned in France after just one performance, but it was in the jester Verdi saw “a creation worthy of Shakespeare”.
He knew it would be a battle to get through Austrian and Italian censors, so at the suggestion of one of the very censors he needed to satisfy, swapped the King for a Duke, the setting from France to Italy and toned down some of the action.
It went back and forth with the authorities for months before it opened, but when it did premiere at La Fenice in Venice in 1851, it was a triumph. The opera is now widely considered Verdi’s masterpiece.