Backstage Archive
Our House is now carbon neutral
Here's what it means & how we made a modern wonder sustainable.
Little Country Syndrome
Why does Australia look abroad for solutions to our racial anxieties? Nayuka Gorrie reflects on the work of Ta-Nehisi Coates to answer this question.
Revisiting Max Richter's 'Sleep'
Watch a short film from the eight-hour overnight performance, documented at Vivid LIVE 2016.
Vivid LIVE: A History in 10 Parts
Step back into the decade and see how Brian Eno started it all.
The rainbow stage
Some of the Opera House's most defining performances by LGBTIQ+ artists.
The bad boy of British dance returns
A Royal Ballet School graduate with rigour, imagination and a passion for music, art and design, Michael Clark formed his own company aged 21.
The nightclub is Andrew Weatherall's temple
Ben Marshall interviews the British DJ behind Primal Scream.
How Australia inspired Darwin's Theory of Evolution
The Wider Earth explores how Darwin stumbled upon his theory of evolution—and the key role that Australia played.
Cheat sheet: The Merry Widow
Brush up on the glitz and glam of Opera Australia's new production before your next dinner party.
TV on the big stage: Stranger Things
Productions budgets have multiplied, movie stars have crossed over, and the once clear-cut line dividing film and TV continues to fade. But can TV make it on the big stage?
Conserving a masterpiece
“One lifted the other — and that was Utzon’s vision. The Opera House is a performance in itself.”
Dressing for drama: Direction and design
STC Artistic Director Kip Williams and costume and set designer Alice Babidge discuss how direction and design inform each other to create brilliant theatre.
"There is no Aboriginal disadvantage"
Aboriginal culture can be part of Australia's shared strength, says SOH's head of First Nations Programming Rhoda Roberts.
STC: Jonathan Biggins on Talk
Jonathan Biggins, the writer and director of Talk, discusses his play, the internet and the state of journalism.
Ultimate Utopia: Rutger Bregman
Read our series deconstructing the people and the movements that made them as part of Antidote, the Opera House's newest festival of ideas, art & action.
Renewal: Upgrading the Joan Sutherland Theatre
One of the world’s great performance venues, the Joan Sutherland Theatre is being renewed for the next generation of artists and audiences.
Ash Bolland, the creator of Lighting the Sails 2017 for Vivid
Sydney creative Ash Bolland set to give life to a modern 'Micrographia' at this years Lighting of the Sails
In Conversation with Beth Orton
A poet’s feel for lyrics, an actress’ instinct for delivery – and that voice. In conversation with the rapturous Beth Orton.
The new space race: Life on Mars
The prospect of life on Mars is no longer obscene. Is a one-way trip to the red planet nonsensical? Or is it a necessary step in humanity's progression? We talk to Josh Richards, who may be shot to Mars - to stay.
Snapping back: Amani Al-Khatahtbeh
Read our series deconstructing the people and the movements that made them as part of Antidote, the Opera House's newest festival of ideas, art & action.
Fine-tuning the acoustics of the Joan Sutherland Theatre
What makes a concert sound good? Here's how our acousticians did it.
Paradise lost: ACO's Missy and Max
How a 400-year-old double bass found in an Italian monastery inspired Missy Mazzoli's new concerto for the Australian Chamber Orchestra.
Celebrating New Year's Eve at the House
While the fireworks blaze outside, the Joan Sutherland Theatre reopens in grand form.
Theatre's modern revivalists: The Wooster Group
A brief history of the experimental New York collective behind The Town Hall Affair. Read more on Backstage.
Cheat sheet: The Merchant Of Venice
A handy guide to bluffing your way through Bell Shakespeare's thrilling production of The Merchant Of Venice.
From clubs to the Concert Hall: Ben Marshall
From New Order to Four Tet, Vivid LIVE's Ben Marshall on expanding his horizons in London's electronic music scene.
The nightclub is Andrew Weatherall's temple
Ben Marshall interviews the British DJ behind Primal Scream.
Australia's punk poet: Paul Kelly
Dapper as usual in a brown suit and open necked shirt, slightly stooped but hawkeyed, Paul Kelly declines the offer of his much-loved cabernet in favour of an ale as he looks out of Bennelong Restaurant and over Sydney Harbour.
Swan songs: the sound of Loch na hEala
“Music is everything to me,” says the Irish choreographer Michael Keegan-Dolan. “It is the most magical thing and to work in the theatre, I always have to start with music.”
Awkar Ruel
The day after arriving in Australia, Assyrian refugee Awkar Ruel saw the Opera House. Now he's studying architecture in Copenhagen.
Sampha: "Making music can be a vulnerable space"
Singer and producer Sampha Sisay on his debut LP and upcoming performance at Vivid LIVE.
Amanda Palmer
What role does Amanda Palmer see her art playing in a time of such political uncertainty and, for some, fear?
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Seeing Music: Leif Podhajsky
Byron-born, London-based Podhajsky has designed cover art for Tame Impala, Bonobo and Kelis. He explains his creative process with SOH's Claudio Santoro.
Dion Lee to design Opera House uniforms
Award-winning fashion designer Dion Lee will create a new collection of uniforms for Opera House staff.
Getty Foundation - Keeping It Modern
The iconic shells of the Sydney Opera House pioneered the use of reinforced and post tensioned concrete as a prominent architectural feature.
Building creativity: modding the Opera House with Minecraft
Can video games be used for good? Here's how Minecraft has taught children (and adults) how to get creative together.
Inventing Russia: Arkady Ostrovsky
Read our series deconstructing the people and the movements that made them as part of Antidote, the Opera House's newest festival of ideas, art & action.
The power of music and film
UK critic Ian Haydn Smith on the power of music in film, from Barber’s ‘Adagio for Strings’ to Schubert's 'Death and the Maiden'.
Moses Sumney wants to write "soft punk"
The singer and his former day-to-day manager talk Nina Simone, surrendering to songwriting, and how he keeps morphing as an artist.
Cheat sheet: Carmen
Everything you need to know about Bizet's Carmen, one of opera's greatest hits.
Cheat sheet: Three Sisters
Andrew Upton reveals his modern adaptation of Anton Chekhov's classic, and exactly what Bob Dylan has to do with this classic Russian play. Read now on Backstage.
Jack Johnson is making concerts recyclable
Tour manager Max Tischler on how he makes world tours eco-friendly.
La La Land: the sound of romance
"It can be very frustrating because I don't know if and when the right melody will strike, and it's the only part of the process when I have serious self-doubt...Damien and I hold out for that really great melody, and it can take a while."
Badu Gili's Frances Belle Parker
We talk to Frances Belle Parker, one of the five Badu Gili artists, about her work, her motivation and how she's used the Opera House’s sails as a blank canvas.
Buffy the Culture Slayer
"TV was not art before Buffy, but it was afterwards," once wrote critic Robert Moore. To mark the inaugural BingeFest, we look back at the Slayer's enduring legacy.
Read up on: David Sedaris
Don't know where to start? Here are a few things you need to know about him before he returns to the Concert Hall next year.
The Australian Ballet's Tim Harbour talks Faster
Tim Harbour talks choreography, French philosophy and the making of his new ballet Squander and Glory, part of Faster.
In conversation with Nobuyuki Tsujii
Blind since birth, Tsujii was 10 years old when he declared to himself he would become a concert pianist.
Hot Brown Honey
Award-winning and label defying, the Honeys mix theatrical spectacle with social activism.
A Soft Future is a bright one
Soft Future Piano Bar is a zero-waste purple paradise in our Concert Hall Northern Foyer. We spoke to Goodgod creative masterminds Hana Shimada and Jimmy Sing about how the bar differs from others in Sydney.
Hidden headlines
Opera House staff working on the Joan Sutherland Theatre’s Renewal project discovered the tanned, fragile pages of a 1972 copy of the Herald tucked behind the theatre’s machinery and cabling.
Youssou Ndour is a true Renaissance man
There's a lot to learn about Senegal's most famous musician.
Young guns: ACO's Ike and Glenn
Two of the Australian Chamber Orchestra's newest stars talk mentors, an Australian premiere and an explosive start to the season.
Song Ling rides the New Wave of Chinese art
Between Hangzhou and Melbourne, the Lunar Lantern artist's real work is politically charged with flairs of Magritte.
Flashback to Countdown
Bernard Zuel on how Australia's primetime music show became a national obsession.
Punk, protest & Green Day
Jonno Seidler talks to Grinspoon's Phil Jamieson on how American Idiot defined a generation of rebels.
Club Weld
Some of Sydney's most prolific artists collaborated with musicians on the autism spectrum and with other disabilities to make their own music in the Opera House’s state-of-the-art Intel Broadcast Studio.
Improving the acoustics
Work is underway to make the Opera House sound as good as it looks. Meet the acousticians solving a 40 year-old problem.
Out There with The Australian Ballet
The Australian Ballet’s Out There program has joined forces with the Sydney Opera House to make dance accessible to anyone regardless of their ability.
Richard 3: Villain with a twist
Kate Mulvany, who plays the most wicked character Shakespeare ever wrote in Bell Shakespeare’s latest production, is not afraid to show her own scars.
The Avalanches and DJ Shadow: Sampling through time and space
There are many more layers to a track by The Avalanches and DJ Shadow than meets the ear.
Mountain: An interview with Richard Tognetti
ACO's Artistic Director Richard Tognetti takes us behind the scenes of Mountain, a collaboration with filmmaker Jennifer Peedom.
Escaping reality with Yeonmi Park
The first in our series deconstructing the people and the movements that made them as part of Antidote, the Opera House's newest festival of ideas, art & action.
Writing hits with Future Classic
Chad Gillard, Future Classic co-founder, talks about the label’s relationship to the Opera House, how they pair the right musicians together, and how they massage a song into a hit.
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The Forecourt: Art with a view
From Lorde to Janet Jackson, Nelson Mandela to Spencer Tunick, Oprah and Hugh Jackman to Björk, Crowded House and Florence + the Machine. Here are some of the Sydney Opera House's greatest moments on the Forecourt.
Club Weld
Some of Sydney's most prolific artists collaborated with musicians on the autism spectrum and with other disabilities to make their own music in the Opera House’s state-of-the-art Intel Broadcast Studio.
The Necks: Painting with sound
How the 'ambient jazz' masters got inside our heads at Vivid LIVE