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FOR GOTT EN

free exhibition 

Centering on the lives of Japanese and Korean women transformed by World War II, Chan Sook Choi’s FOR GOTT EN is a rumination on trauma, resistance and survival. 

On the Western Broadwalk | Talks & Ideas

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  • The Sydney Opera House is registered as a COVID Safe business with the NSW Government.
  • Please bring and wear a mask. Patrons are required to wear a mask at all times while inside our foyers and theatres, including during the performance. Children 12 years and under are exempt.
  • As you move around the Opera House, practise physical distancing (1.5 meters whenever possible) and follow the guidance provided by our staff and signage.
  • Within venues, always take your allocated seat.
  • There are new COVID-specific conditions of entry for audiences attending performances, including the digital check in of every person for contact tracing purposes. This includes the circumstances under which you must not attend the Opera House, and what’s required of you when you visit. Please read about them here.

“These works are more than interviews. They are records of our shared humanity, of our communal pain. The voices of these women are arranged and documented so that they build into poetry or song." 

Chan Sook Choi

Mapping trauma, resistance and survival.

Emerging from an extensive oral history research project, Chan Sook Choi’s FOR GOTT EN portrait series recognises the embodied and ongoing traumas of female survivors of World War II.

Across seventy-two interviewees and sitters living across Germany, Japan and South Korea, the project focuses on the experience of Buyonghoe women, Japanese wives of Korean men who relocated after the war, and Korean comfort women forced into sexual servitude and slavery by the Japanese Imperial Army during the war. By washing away the sitter’s face with ink and colour, these portraits of obscured women, gesture to the unrepresented and undocumented histories to which they are survivors, resistors, and witnesses.

In an outdoor exhibition, the Sydney Opera House will exhibit a selection of these works for the first time in Australia, showcasing these portraits alongside text, and photographs of ephemera that give context and visibility to the complexities of trauma.  

More about...

Chan Sook Choi seeks out and collects the fragments of migration; charting physical movement and spiritual migration that is realised across exhibitions, lectures, performance and publications. Her recent exhibition history includes ‘SUPERPOSITION’, Digital Art Center, Teipei, Taiwan (2020), ‘It leaks, the light in their ground’, Seoullo media cavas , Seoul, Korea (2020), ‘The Square, Art and Society in Korea’, National Museum of Contemporary and Modern Art, Geachon, Korean (2019), ‘Ars Electronica Festival 2019’, Linz, Austria (2019) and ‘Re-move’, Art Sonje Center , Seoul, Korea (2017).

Her work is held in the collections of the National Museum of Art Korea, Museum of Contemporary Art Busan as well as the Seoul Museum of Art and the Sungkok Art Museum, Korea. In 2008, she was the winner of the International Media Art Competition, Bibliart and Pergamon Museum, Berlin and won the Elsa Neumann Scholarship in 2019. 

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Venue Information

Our venues are currently operating at reduced capacity (75%) with a minimum of one empty seat between groups along a row.

Tickets for All About Women are being sold in a single seat chequerboard pattern with every other seat remaining vacant. At all times, we will do our best to support your needs, but please bear in mind that this will be subject to the restrictions in place at that time.

Please help us to maintain safety by wearing your mask at all times inside the venue, remaining in your allocated seat and facing the stage. Please be aware that guests seated in your row may need to walk past you to get to their seat.

Our foyers will be open 60 minutes pre-show for Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars, and should be consumed while seated in specific foyer spaces to maintain physical distancing. Drinks purchased at our theatre bars can also be taken into venues for most performances. Please note that unless advised otherwise, theatre bars will not be open during intervals. Drinking water is available at all times.

Transport options

  • We encourage you to use private transport options to minimise crowding on public transport (in line with NSW Government advice).  
  • The Sydney Opera House Wilson car park is open and available to use. Wilson Parking is currently offering a $10 discounted rate if you book ahead, please see their website for details.
  • Please check the Transport NSW website for the latest advice and information on travel and COVID-19 safety measures. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a 6 min walk to the Opera House. 

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