Be swept away by a world of virtuosity, colour, intimacy and ecstasy in this concert of music from contemporary Australian composer Jack Symonds and Ludwig van Beethoven.
In the Utzon Room | Classical Music
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General public on sale 9am, Monday 8 August 2022
Tuesday 1 November, 7pm
Ticket | Description & price |
---|---|
Standard | Adults aged 30+ |
A Reserve | $70.00 |
Concession | -Available on presentation of Australian Pensioner card -Available to full time students aged 30 and above, on presentation of full time student card. |
A Reserve | $60.00 |
Under 30 |
Valid ID must be presented. |
A Reserve | $30.00 |
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection. Children aged 15 years and under must be accompanied at all times. All children must hold a valid ticket.
The only authorised agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the FAQ below.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times, and children under the age of 12 are not required to wear a face mask.
“This was a performance with a great sense of mastery on all fronts – technically flawless, driven by great passion and virtuosity…”—Limelight
Jack Symonds’ String Quartet No.2 whispers into existence, interrupting the intangible build-up of concert expectancy with an ascending violin line that is the very genesis of this spectacular work. Over its unique two-part structure Symonds skilfully unravels the DNA of that opening statement, sweeping the listener up in a display of virtuosity, contrasts and textures that bounce off and reflect each other. This piece brilliantly showcases the string quartet through its wide-ranging breadth of expression and extremes of colour.
Schubert famously remarked of Beethoven’s Op.131, that “after this, what is there left for us to write?” Of the quartets he produced at his full maturity, Beethoven was said to treasure this one as his favourite. Seven movements are performed without break, ranging from richly harmonic, slow and layered to comically light-hearted and absurd, taking the listener into a deeply intimate world. From darkness to light, from solitude to ecstasy, the sheer impact of this epic journey might only be realised long after its final notes have faded.
Dale Barltrop, violin
Francesca Hiew, violin
Christopher Cartlidge, viola
Michael Dahlenburg, cello
Presented by Australian String Quartet
Selected
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