Identity
2 – 20 May 2023
Two of Australia’s leading choreographers join forces exploring the theme of Identity.
|
Date |
Time |
|
Tuesday 2 May |
7.30pm |
|
Saturday 6 May |
1.30pm |
|
Monday 8 May |
6.30pm |
|
Wednesday 10 May |
7.30pm |
|
Thursday 11 May |
7.30pm |
|
Saturday 13 May |
7.30pm |
|
Tuesday 16 May |
7.30pm |
|
Wednesday 17 May |
7.30pm |
|
Saturday 20 May |
1.30pm |
|
Ticket |
Price |
Description |
|---|---|---|
|
$99 Ticket Offer |
$99 |
A & B Reserve tickets at $99 for limited time only |
|
Standard |
$56 - $279 |
Adults 18 years and over |
|
Australian Pensioner |
$46 - $223 |
Australian Pension Card holders* |
|
Australian Student |
$46 - $223 |
Australian Full-time Student Card holders* |
|
Under 30 years |
$38 - $139 |
Under 30 at time of performance* |
|
Child |
$38 - $139 |
Under 18 at time of performance* |
*Must provide valid ID
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Young people under the age of 15 must be accompanied at all times. Children aged 0 - 23 months at the time of a performance may be seated on a parent’s lap free of charge. All children occupying a seat or aged two years and older must hold a valid ticket.
The only authorised ticket agency for this event is Sydney Opera House and The Australian Ballet. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
Monday 28 November 2023
Become a Sydney Opera House Insider to receive exclusive pre-sale access
General Public tickets on-sale
10am, Tuesday 29 November 2023
In English
Wheelchair accessible
Audio loop available
No language barrier
Find out more about accessibility at Sydney Opera House
Run time
The duration of this event is yet to be confirmed.
Event duration is a guide only and may be subject to change.
Age
Suitable for all ages.
A new program from two of Australia’s leading choreographers
THE HUM (Daniel Riley)
Evoking a search for cultural perpetuity, the first work THE HUM is a new dance-theatre work created by Daniel Riley, Wiradjuri man, and Artistic Director of Australian Dance Theatre. Centred upon the tangible yet invisible creative connection between performers, orchestra and audience, this work will unite artists of Australian Dance Theatre and The Australian Ballet in a never-before-seen collaboration.
Working together to realise a new ceremonial space of sharing and communality spanning rehearsal studio and stage, this work forges new relationships and develops a shared physicality, exploding with future-focussed visions.
The work is enriched by a brand new commissioned score for a full orchestra by celebrated Yorta Yorta composer and soprano Deborah Cheetham AO, the first female First Nations composer to be commissioned by The Australian Ballet.
Taungurung fashion designer and educator Annette Sax will design bespoke contemporary costumes inspired by the textures and elements of the land. Adelaide based multidisciplinary artist Matthew Adey will also develop a set and lighting design for this world-premiere collaboration.
THE HUM celebrates a resonance between our musicians, our dancers and the swell of our land, celebrating the idea of the individual artist as part of a broader creative ecosystem of shared knowledge, emotion and energy.
Paragon (Alice Topp)
The Australian Ballet's Resident Choreographer Alice Topp will premiere her new work Paragon in 2023, a powerful tribute to the company's origins, strength and evolution.
Paragon explores the pursuit of perfection and excellence in the art form of ballet, while also referencing the idea that the company was formed under conditions of pressure and immense expectations, much like a diamond in the natural world.
Presented by The Australian Ballet, with Opera Australia Orchestra
Image Gallery
David Hallberg, Artistic Director of The Australian BalletDaniel Riley and Alice Topp are two of Australia’s leading choreographic voices. They both explore what identity means to them, whether it be the identity of Australia, the identity of community, or the identity of art. In honour of our 60th anniversary, we look at the sense of identity in today’s artists.
Video Gallery
Artist information
The Hum
Direction and concept
Daniel Riley, Wiradjuri
Choreography
Daniel Riley, in collaboration with cast
Music
Deborah Cheetham AO, Yorta Yorta
Costume design
Annette Sax, Taungurung
Set and lighting design
Matthew Adey
The Australian Ballet commission,
choreographed by Daniel Riley
in association with Australian Dance Theatre.
Paragon
Choreography
Alice Topp
Music
Christopher Gordon
Costume design
Aleisa Jelbart
Set and lighting design
Jon Buswell
The Australian Ballet
Season 2023 marks 60 years of The Australian Ballet. Six decades of ambition, imagination and excellence that have shaped the company's identity, establishing their place as a jewel in this nation's artistic landscape.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see their website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene. Please stay home if you feel unwell and read more about our flexible ticket options.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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