Steaming killed the video store. A live cinema experience and an elegy to the closure of the local video shop. Coil blurs the boundaries of theatre and cinema while drawing on our collective memories to pay tribute to the glory days of the video store and commemorate the communities we made within them.
In the Studio
The health, safety and wellbeing of everyone at the Opera House is our priority. When you return to the Opera House, you will notice some important changes that have been implemented to keep the community safe, which are regularly reviewed and updated in consideration of the Public Health Order prevailing at the time. Please follow our conditions of entry at all times:
Please refer to our updated General Terms and Conditions for Tickets and Attendance at Events for detailed information about our ticketing policies. These conditions may change between the time of purchase and the event date. Ticketholders will be contacted directly regarding any changes to their event.
Please check our plan your visit page prior to attending the Opera House for the most up-to-date information.
Pre-sale timings:
General public on sale Friday 25 March, 9am
Ticket | Description & price |
---|---|
Standard | $45 |
Under 30s | $30 |
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection. Children aged 15 years and under must be accompanied at all times
The authorised ticket agency for this event is the Sydney Opera House. For more information about Authorised Agencies, see the FAQ below.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times, and children under the age of 12 are not required to wear a face mask.
This production uses lound sound and strobe effects.
Sydney Morning Herald
For many, the local video store was a communal space. It represented possibility, adventure, camaraderie, risk. Browsing the wide range of online streaming sites has replaced wandering the aisles of our local video shops, but what does the loss of these physical librarial spaces do to us? How does it affect our friendships, our culture, our engagement with the town at large?
Brought to the stage by re:group performance collective, a group of artists based between Hobart, Wollongong and Sydney.
Credits:
Lead Artists: Solomon Thomas, Steve Wilson-Alexander, Carly Young, Mark Rogers
Performers: Solomon Thomas, Steve Wilson-Alexander, Carly Young
Screenplay: Mark Rogers
Video Design: Solomon Thomas
Automation Programming: Chris Howell
Sound Design: Liam “Snowy” Halliwell
Set Realisation: Alistair Davies
Accessibility Training: Nilgun Guven
Creative Producer: Malcolm Whittaker
Administration: Intimate Spectacle
Selected
Add a drinks voucher or food voucher to your purchase and redeem it at any of the foyer bars inside the Opera House.
Attend a performance, enjoy a meal at Opera Kitchen, and take a guided Sydney Opera House Tour. See menu below. Note: the tour may be sold out or unavailable on your selected date. If there is availability, you will select your desired tour time in the following screen. Please check you have the "Tour & Dine" product displayed in your cart before you continue to payment.
Performances are being sold to 100% capacity in line with the NSW Public Health Order. This includes all shows in the Concert Hall, Joan Sutherland Theatre, Studio, Playhouse, Drama Theatre, Utzon Room and Forecourt. Please note that you will be seated directly alongside other ticketholders.
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars. Please remember to maintain physical distancing whilst consuming drinks in our foyers.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer consistent with COVID-safe rules.
Nothing is more important to us than the health and safety of everyone on site, and we are closely following NSW Health guidelines and advice. The Sydney Opera House is registered as a COVID Safe business with the NSW Government. For detailed information about our COVID-19 safety measures and what’s required of you when visiting, please see our plan your visit page.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
As you move around the Opera House, practise physical distancing (1.5 metres whenever possible) and follow the guidance provided by our staff and signage.
Within venues, always take your allocated seat.
For detailed information about our COVID-19 safety measures and what’s required of you, please see our plan your visit page.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
Contact information is required when making a booking with us and upon arrival at the Opera House, as set out in our General Terms and Conditions for Tickets and Attendance at Events and our Customer Privacy Statement.
As the ticket purchaser, you are responsible for recording the contact details of your guests. Contact information will only be used for the purposes of contact tracing, if required, and will be deleted at least 28 days after your event.
Tickets purchased early will be sold in family groups within a designated seating zone, tickets purchased closer to the event will be sold in pairs. Please bear in mind that this will be subject to the restrictions in place at that time. Your confirmed seating allocation will be provided to you on the day of the performance when you receive your eTickets. To ensure correct capacities, all people in the theatre must hold a valid ticket. This includes babies aged 0-11 months who can be seated on a parents knee with the purchase of a Babes in Arm ticket ($10). Children 12 months and older will need to hold a standard ticket.
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. It is encouraged that you take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Ticketholders must comply with the directions of Opera House ushers to assist with contact tracing.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In line with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
Children under the age of 12 are not required to wear a face mask.
The authorised agency for this event is Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend. If you can no longer attend because you are unwell, or have been in contact with someone displaying COVID-19 symptoms, the Opera House has introduced flexible ticketing options to help you, find out more information here.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to the foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer adhering to COVID-safe rules.
Emmy award-winning filmmaker/artist Lynette Wallworth brings her renowned storytelling skills to the stage in a surprising new work that sheds light on the seduction of cultish extremism.
In her new work Sunny Kim has assembled a stellar cast of musicians: Helen Svoboda, Aviva Endean, Mindy Meng Wang and Gelareh Pour. At the heart of their work is a poetic response to motherhood, with all these amazing musicians, or their mothers, born somewhere other than Australia.
RUNT is about one small woman’s attempt to take power and lead the oppressed in a fight for equality, decency and what’s right. Directed by Susie Dee and written by Patricia Cornelius, Nicci Wilks delivers a powerful performance in this daring, physical one-woman show.