27 May 2024
In the Concert Hall Northern Foyers
Contemporary Music
Free event, registrations essential.
Join Archibald Prize winning artist Julia Gutman in conversation with Sydney Opera House’s Curator, Contemporary Art, Micheal Do to mark the opening of Julia Gutman’s Lighting of the Sails commission, Echo.
| Date | Time |
|---|---|
| Monday 27 May 2024 | 6.30pm |
Ticket | Price |
|---|---|
| Standard | Free |
The authorised agencies for this event are Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Register your interest
9am, Wednesday 8 May 2024
Run time
This talk runs for approximately 90 minutes.
Event duration is a guide only and may be subject to change.
Age
Suitable for all ages.
Art Guide AustraliaTruly in the hands of a new generation.
Hear from acclaimed Australian visual artist Julia Gutman
Widely recognised as one of Australia’s most important rising artistic talents, artist Julia Gutman uses textiles to create original and tender compositions that challenge art history.
In 2024, Julia Gutman received the Sydney Opera House’s prestigious annual Lighting of the Sails Commission, co-commissioned with Destination NSW for Vivid LIVE.
Across seven minutes, Gutman’s new work, Echo reaches deep into literature and art history, remaking Roman poet Ovid’s myth of Narcissus for our contemporary age. By digitising centuries-old fabric making techniques, Gutman and creative animationist Pleasant Company have transformed humble textiles donated to the artist from her community into an animated epic.
Join us for an insightful conversation with Julia as she delves into her process for making this new work, Echo.
Lighting of the Sails: Echo is commissioned by Sydney Opera House and Destination NSW for Vivid LIVE 2024.
Julia GutmanEcho brings together my interests in narrative, materiality and the psychological in a story that I hope can be simultaneously personal and universal.
Meet the panel
Julia Gutman
Julia Gutman is a multidisciplinary artist whose practice is anchored by an experimental textile process, with which she interrogates her own relationships and the performance of selfhood. Her figurative works are made primarily from donated fabric – worn clothes, slept-in sheets – and often replicate compositional moments from historical artworks, using her friends as models to respond to and reinvent the originals. Garments often become physical artifacts of the past – stand-ins for those we have lost, or relics of who we once were. Gutman works with the textures of memory, using found textiles as a vehicle for connection and collaboration.
In May 2023, Gutman was awarded the Archibald prize, making her the youngest winner in 85 years. She was one of six exhibiting artists in Primavera at Sydney’s Museum of Contemporary Art Australia in 2022. She was a finalist in the 2021 Ramsay Prize at the Art Gallery of South Australia and the 2020 NSW Visual Arts Emerging Fellowship at Artspace Sydney.
Her work has been exhibited across Australia and internationally in Rome, Milan and New York.
Michael Do
Micheal Do is a curator, programmer and writer working across Australia, New Zealand and Asia with a record of developing immersive exhibitions that bridge research practices into contemporary contexts.
His recent curatorial projects include ‘Primavera: Young Australian Artists’ (2022) for the Museum of Contemporary Art, Australia. Recently, his exhibition ‘Soft Core’, exploring soft and inflatable sculptures developed for Casula Powerhouse Arts Centre, Sydney, recently concluded its tour of twelve regional and rural galleries throughout New South Wales, Victoria and Queensland. Micheal curated ‘Not Niwe, Not Nieuw, Not Neu’ (2017) and ‘The Invisible Hand’ (2019) for 4A Centre for Contemporary Asian Art and among other exhibitions curated ‘5X5: The Artist and The Patron’ (2018), a survey of 5 artist/collector relationships for Penrith Regional Gallery & The Lewers Bequest and ‘A Proxy for a Thousand Eyes’ (2020) for Sydney Opera House.
He was the recipient of The Freedman Foundation’s Travelling Scholarship for Curators, the recipient Museums and Galleries NSW Artist and Curator Residency Grant and the Gordon Darling Travelling Scholarship for Curators . His writing appears in publications including 4A Papers; Art Collector Australia; Art Monthly, Australasia; Art Review Asia, Artist Profile Magazine, S+S Magazine, VAULT Magazine, and 10 Magazine, along with artists’ catalogues.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene. Please stay home if you feel unwell and read more about our flexible ticket options.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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