10 March 2024
In a world disillusioned by division and an inability to bring about positive change, it is artists, writers, storytellers, and creatives who can resonate beyond politics and chart a path to a better world.
Co-curated by Nakkiah Lui
| Date | Time |
| Sunday 10 March 2024 | 10.30am - 11.30am |
| Ticket | Price |
| Standard | $35 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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8am, Wednesday 17 January 2024
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9am, Wednesday 17 January 2024
General Public tickets on-sale
9am, Thursday 18 January 2024
In English
Wheelchair accessible
There are a number of wheelchair and companion seating locations available.
To book accessible seating contact Box Office via email or telephone on:
+61 2 9250 7777 (Monday to Friday, 9am-5pm AEST)
Find out more about accessibility at Sydney Opera House
Run time
This event will run for 60 minutes.
Event duration is a guide only and may be subject to change.
Age
Age guidance: 15+
This event contains adult themes and may include strong language. Children aged 15 years and under must be accompanied by an adult at all times.
Joan DidionWe tell ourselves stories in order to live.
Dreaming new narratives can lead to different futures
With growing political disillusionment and with democracy being circled by increasingly extreme influences and political vultures, what voices are we turning to for understanding, community and hope?
In this panel, we explore the potency of artists, writers, storytellers, and creatives in shaping narratives that resonate beyond the confines of politics. A community's stories are what create empathy and understanding among people. Storytellers not only critique the status quo but also offer alternative perspectives, empowering individuals to envision and advocate for change. Storytellers are vital for building empathy. Can stories ignite the spark of social and political change?
Sydney Opera House Presents
Festival Multipacks
See more and save. Multipacks are available across the entire festival program, with the exception of workshops. See the All About Women program to help you plan your day, or read on to select your multipack by theme.
Moreblessing is a Zimbabwean/Australian inter-disciplinary artist. She has held residencies at Playwriting Australia, ATYP and STC and participated in Screen Australia’s Developing the Developer, leading to an Associate Development Producer role with Kojo Studios. For stage, she’s developing Bruntwood Prize shortlisted NO PINK DICKS (Darlinghurst Theatre Company) and MILK & HONEY & LEMONS (Next Wave, Campbelltown Arts Centre).
Moreblessing has appeared in projects across stage and screen including the critically acclaimed sell-out tour of SEVEN METHODS OF KILLING KYLIE JENNER. Parallel to her practice, she works as dramaturg, consultant and advocate for anti racist, inclusive practices while sitting on MEAA’s National Performers Committee.
Amy Sole is a proud Wiradjuri/Worimi person. Amy is a playwright, director, actor, dramaturg and advocate. They are Creative Associate at Ilbijerri Theatre Company and a recent graduate of MFA (Directing) at NIDA and hold a Master of Theatre (Playwriting) from VCA.
Recent works for theatre include Whitefella Yella Tree (co director, Griffin Theatre company), Forgetting Tim Minchin (director, 25a, Downstairs Belvoir), Benched (director, Darlinghurst Theatre Company, 2022) and Burning (writer/director, NIDA, 2022)
Amy regularly directs developments of new works, most recently Phoebe Grainer’s Sugarcane for the Queensland Premier’s Drama Award and Dylan Ven Den Berg’s way back when at Darlinghurst Theatre Company. They have worked as assistant director on God's Country (NIDA, 2022), Metamorphoses (NIDA, 2021), and RENT (Sydney Opera House, 2021).
They are also a part of Melbourne Theatre Companies Artistic Associate advisory council, and a sitting Co-Chair of the Equity Diversity Committee.
Suzy Wrong is a prominent theatre reviewer and activist, working on Gadigal land. Her website Suzy Goes See features upwards of an unprecedented 2,000 theatre reviews, all written by herself, from over eleven years covering the scene in Sydney. She sits on the judging panel of the Sydney Theatre Awards, and plays a critical part in championing diversity in that space. Suzy was last seen in the SBS four-part drama Hungry Ghosts, playing the role of clairvoyant Roxy Ling, and is always looking for opportunities to revisit her first love of performance. Suzy has a radio spot, every Tuesday afternoon on Joy Radio, that allows her to address issues pertaining to feminism, racism, and queerness.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see their website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene. Please stay home if you feel unwell and read more about our flexible ticket options.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
We advise that you arrive 15 minutes prior to the event. Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
Prior to the workshop, please notify us if you will need a chair for the session, so we can have those available. Please email accessibility@sydneyoperahouse.com to request a chair or notify our team of any additional needs you may have.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend. If you can no longer attend because you are unwell, or have been in contact with someone displaying COVID-19 symptoms, the Opera House has introduced flexible ticketing options to help you, find out more information here.
Food and beverages will not be allowed unless specified in the event. Opera Bar, Opera Kitchen and Portside are also available to purchase food before your event. Please bring a credit or debit card for any on-site purchases to enable contactless payment.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to the foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer or as directed by Sydney Opera House staff, adhering to COVID-safe rules.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
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