10 March 2024
In the Yallamundi Rooms
Talks and Ideas
It is, we are told, one of the most rewarding things a human being can do, but motherhood can look a whole lot different when you’re raising your kid on your own, or at the intersections of racism and ableism. Join this panel as they ask how and why society makes one of the greatest jobs in the world so damned hard.
Co-curated by Clementine Ford
| Date | Time |
| Sunday 10 March 2024 | 1pm - 2pm |
| Ticket | Price |
| Standard | $35 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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8am, Wednesday 17 January 2024
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What’s On e-newsletter pre-sale
9am, Wednesday 17 January 2024
General Public tickets on-sale
9am, Thursday 18 January 2024
In English
Wheelchair accessible
There are a number of wheelchair and companion seating locations available.
To book accessible seating contact Box Office via email or telephone on:
+61 2 9250 7777 (Monday to Friday, 9am-5pm AEST)
Find out more about accessibility at Sydney Opera House
Run time
This event will run for 60 minutes.
Event duration is a guide only and may be subject to change.
Age
Age guidance: 15+
This event contains adult themes and may include strong language. Children aged 15 years and under must be accompanied by an adult at all times.
Toni Morrison, single motherI don’t think one parent can raise a child. I don’t think two parents can raise a child. You really need the whole village.
The mother of all jobs
Motherhood is one of our most revered institutions. Churches extol the sanctity of it. Politicians praise the kitchen-table pragmatism of it. There’s even a day to celebrate it, with more restaurant lunches booked than at any other time of the year (for those who can afford it).
But it’s a far different story when you’re raising a kid on your own, navigating the Byzantine system of disability support, or contending with deep-seated racism and intergenerational disadvantage. Mothers who find themselves marginalised by society are often looked on with suspicion, castigated for being irresponsible, and punished by policy-makers.
Join this panel of writers and thought leaders as they ask what it takes to ensure every child gets a fair go, and every mother gets the respect she deserves.
Sydney Opera House Presents
Festival Multipacks
See more and save. Multipacks are available across the entire festival program, with the exception of workshops. See the All About Women program to help you plan your day, or read on to select your multipack by theme.
BARKAA (she/her)
BARKAA is a Malyangapa, Barkindji woman from Western New South Wales, now living in South West Sydney on Gandangara land. Music to BARKAA has been part of her journey to express herself, the truth and issues impacting First Nations people. Her debut album was Blak Matriarchy, so named "in honour of powerful First Nations women who've paved the way for future generations", including her mother.
Karen Pickering (she/her)
Karen Pickering is a feminist writer and organiser. Her previous work includes the feminist talkshow, Cherchez La Femme, Girls On Film Festival, and the books About Bloody Time and Doing It. Her next book, The Mother of All Shocks, examines the structural impact of new motherhood on women, and will be published by Pantera Press. She’s a proud single mum and sole carer, late diagnosis neurodivergent, and frequently erased bisexual, who wants only to make the world better for her son, herself, and everyone else.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
We advise that you arrive 15 minutes prior to the event. Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
Prior to the workshop, please notify us if you will need a chair for the session, so we can have those available. Please email accessibility@sydneyoperahouse.com to request a chair or notify our team of any additional needs you may have.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Food and beverages will not be allowed unless specified in the event. Opera Bar, Opera Kitchen and Portside are also available to purchase food before your event. Please bring a credit or debit card for any on-site purchases to enable contactless payment.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to the foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer or as directed by Sydney Opera House staff, adhering to COVID-safe rules.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
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