Living Sculptures: How the birds got their colours
First Nations-led circus and dance
Event details
| Date | Time |
|---|---|
| Friday, 2 October 2026 | 10:30am |
| Friday, 2 October 2026 | 11:30am |
| Saturday, 3 October 2026 | 10:30am |
| Saturday, 3 October 2026 | 11:30am |
| Sunday, 4 October 2026 | 10:30am |
| Sunday, 4 October 2026 | 11:30am |
| Monday, 5 October 2026 | 10:30am |
| Monday, 5 October 2026 | 11:30am |
| Tuesday, 6 October 2026 | 10:30am |
| Tuesday, 6 October 2026 | 11:30am |
This event is one of many free experiences offered as part of Wild Things. Explore the full free program and see what else is available.
The Forecourt is wheelchair accessible. For further information on accessibility, please contact our Accessibility team.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
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Sitting outdoors on the Sydney Opera House Forecourt with the harbour all around, is the perfect setting for this stunning First Nations led contemporary circus performance.
Meet the cast and creatives
Robbie Curtis is the Artistic Director of ARC Circus Co and has worked extensively for over twenty years nationally and internationally, directing, performing, teaching and choreographing. Robbie has worked for companies including Cirque du Soleil, Circa, Circus Oz, Legs on the Wall, Cirque de Paname, Australian Ballet, Australian Opera, Theatre of Image, Circus Monoxide, Shaun Parker Co and Footnote Dance Company. Robbie has directed all works with ARC Circus that have been performed in eight different countries at theatres and major festivals to over 90,000 people. Robbie is internationally recognised for his unique style mixing dance and circus and has been an artistic consultant at the National Institute of Circus Arts. Robbie has performed in notable theatres around the world, including Barbican, Sadler’s Wells, BAM, Theatre Grec, Sydney Opera House and Arts Centre Melbourne, and he has performed at every major Australian arts festival.
Luther Cora is a proud Yugambeh man, cultural educator, storyteller, artist and performer whose family has deep ancestral connections to the Gold Coast and Tweed region. As a respected cultural leader and leader of the Yugambeh Aboriginal Dancers, Luther has spent more than 30 years sharing First Nations culture through dance, storytelling, visual art and education. His work has been featured at major cultural events across Australia, including the Gold Coast 2018 Commonwealth Games Opening Ceremony. Passionate about preserving and sharing the stories of Country, Luther works closely with communities and artists to create meaningful cultural experiences that celebrate identity, belonging and connection.
Lizzie is the Co-Founder and Executive Director of ARC Circus. Lizzie is also a unique performer and creator performing with ARC. Lizzie has been a key creative in all of ARC’s shows and has performed nationally and internationally with the company in the US, UK, Korea, New Zealand, Cambodia and more. Lizzie’s unique blend of live music, acrobatics and circus has been celebrated with five-star reviews and awards. She has taught all levels of flute, also plays piccolo and is a juggler and clown. Lizzie holds both a Bachelor’s and a Master’s degree from the University of Sydney and has worked in management all over the world, including Singapore, Hong Kong, China, Myanmar, Indonesia, Japan, the UK and the USA.
Tayvonne Cora is a proud Yugambeh performer and artist from the Gold Coast. Raised within a family renowned for sharing First Nations culture through dance, storytelling and education, she has spent much of her life performing and connecting with audiences through the arts. As a member of the Yugambeh Aboriginal Dancers, Tayvonne is passionate about celebrating and sharing the stories, traditions and cultural knowledge of her people. Through performance, she continues a strong family legacy of cultural leadership while inspiring the next generation to connect with culture, Country and community.
Sarah was originally a WA girl, competing in dance and acrobatics for most of her life before ‘running away to join the circus’. Now, she is a well-respected graduate of the National Institute of Circus Arts (NICA, 2016) and officially holds a Bachelor of Circus Arts. Specialising in several different skills, including trapeze, handstands and group acrobatics, she has spent her time sharing her love of performing, expansive skillset and knowledge both on and off stage. Some of her most notable career highlights include performing as an ensemble acrobat for Barnum: The Circus Musical (Melbourne VIC, 2019), Leviathan and Humans by Circa (Perth, Paris & Brisbane 2020) and The Pulse by Gravity & Other Myths Circus (Sydney 2022). Other companies Sarah has and continues to perform with include Na Djinang Circus, One Fell Swoop Circus and ARC Circus. In 2019 she was also awarded the Grand Champion Dancer of the World at the World Championships of Performing Arts in Long Beach, California. During 2024, Sarah was cast in an ABC Kids television show to perform in a giant character suit, showing off her diverse skills not just as an elite-level acrobat but as an all-round performer.
Gerramy began his circus training at the age of 14 with Flipside Youth Circus in Brisbane. After graduating from high school, he was accepted into the National Institute of Circus Arts (NICA), where he expanded his repertoire and specialised in acrobatic basing and rolla bolla. From 2013 to early 2026, Gerramy performed as an ensemble member with Circa, contributing to the creation and presentation of numerous productions across the globe. During his time with the company, he developed a deep passion for group acrobatics and collaborative skill creation.
Among his proudest achievements is basing a four-high during a hometown season at QPAC, an accomplishment that remains a career highlight.
Kathryn (Kat) O’Keeffe is an internationally recognised circus artist, aerialist, choreographer and acrobatic consultant whose career spans more than 20 years across Australia and abroad. Originally trained in gymnastics and dance, she completed a Bachelor of Dance at the Victorian College of the Arts before building an extensive career across circus, physical theatre, aerial harness, puppetry and swaypole performance in more than 25 countries. Kat has performed at prestigious venues and festivals worldwide, including the Sydney Opera House, Brooklyn Academy of Music, Barbican Centre, TOHU Montréal, Lincoln Center's White Light Festival and World Expo Shanghai. Renowned for her exceptional strength, artistry and stage presence, she has worked with acclaimed companies including Circa, Strange Fruit, Liquid Skin, Highwire Entertainment and ARC Circus. Alongside her performance career, Kat is a sought-after choreographer and acrobatic consultant. Most recently, she co-created the full-length circus productions Velvet Carousel and Valise with her husband and creative partner, Paul O’Keeffe, which premiered internationally in 2026.
Paul O’Keeffe is an internationally acclaimed circus artist, director, trainer and acrobatic consultant with a career spanning almost three decades. Since 1996, he has performed across circus, aerial harness, dance, puppetry, swaypole, musical theatre and physical theatre in more than 25 countries. His work has taken him to some of the world's leading venues and festivals, including the Sydney Opera House, Brooklyn Academy of Music, Lincoln Center's White Light Festival, Barbican Centre, TOHU Montréal, Chamaeleon Theatre Berlin and the London 2012 Olympic and Paralympic Games Festival. Paul has performed with many of Australia's leading contemporary performance companies, including Circa, Circus Oz, Highwire Entertainment and ARC Circus. A highly respected trainer and creative collaborator, he has spent more than 30 years developing artists and consulting on major productions. Most recently, he co-created and performed in the full-length circus works Velvet Carousel and Valise alongside his wife and creative partner, Kathryn O’Keeffe.
Dylan Singh is a proud Wiradjuri artist, second-generation circus performer and cultural practitioner with more than 15 years of experience performing, creating and touring across Australia. A graduate of the Flying Fruit Fly Circus, Dylan has worked with some of the country's most respected contemporary circus companies and is known for weaving First Nations culture, storytelling and music into dynamic physical performance. As founder of The Dreaming Project, he creates immersive works that connect communities, celebrate culture and empower the next generation of artists through contemporary circus and the arts.
About ARC Circus Dance Theatre
ARC Circus is a multi-faceted international performing arts company based in Australia. They are in the business of celebrating and creating extraordinary stories and bringing them to audiences through the power of circus, dance and theatre. ARC Circus are a multi-talented group of individuals bound by art, invention, and curiosity.
About Yugambeh Aboriginal Dancers
The Yugambeh Aboriginal Dancers are a renowned First Nations performance group from the Gold Coast and Tweed Heads region. Led by cultural educator Luther Cora, the family-based troupe shares ancient Yugambeh language, stories, and heritage through traditional songs, clapsticks and didgeridoo performances.
More for wild adventurers (ages 7-10)
Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
About the event
Here you’ll find important information about this event including common questions and what to expect on the day.
All patrons and visitors attending Forecourt events at the Opera House must present their bags and personal belongings for visual inspection or x-ray screening as a condition of entry. Ticketholders may be electronically screened by Opera House security staff.
Empty water bottles are allowed (no glass, and no larger than 1 litre) – free water stations are available on the Forecourt. No BYO alcohol, beverages, food or glass.
If you choose to sit on the Monumental Steps, you’re welcome to bring a cushion for comfort, maximum size is 40cm x 40cm and maximum width is 5cm. Cushions should be held when standing or dancing.
The following items are prohibited onsite:
- Alcohol
- Illegal substances including controlled, dangerous or illicit drugs
- Incendiary devices (flares, fireworks and smoke bombs)
- Glass items
- Knives and any sharp items
- Lasers
- Any items that may cause a public nuisance
- Any items that can be used as a weapon
- Any items which look like a weapon, this includes replicas and toys
- Unauthorised advertising material or flyers
- Drones or unmanned aerial vehicles (UAVs)
- Musical instruments which can cause a public nuisance such as vuvuzelas, drums or any amplified music
- Large umbrellas (bigger than 125cm in diameter)
- No prams or strollers are permitted in the event footprint
- Sunshades and tent structures, which are not permitted on site
- Portable seating, including camping or beach chairs
- Any other item that in the opinion of Opera House security could cause harm or public nuisance
Ticketholders and visitors have the option to leave with their prohibited items should they not wish to forfeit them in accordance with the above conditions of entry. All confiscated and prohibited items will be disposed of, and will not be held. Possession of unlawful items will be reported immediately to NSW Police.
Security staff will monitor patrons for RSA and refuse entry to any intoxicated persons in accordance with the Liquor Act 2007.
Unless it is deemed unsafe to do so, all Forecourt performances will proceed rain, hail or shine. There is no shade available in the public viewing area on the forecourt. Visitors are encouraged to check the weather and come prepared. Wear a hat, sunscreen and protective clothing. Please check conditions of entry for more information about what can and cannot be brought into the event.
Refer to the event information for age restrictions. Children aged 15 years and under must be accompanied at all times. The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
At the venue
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. All Sydney Opera House foyers are accessible, with lift access to the main and western foyers.
There is no cloaking facility on the forecourt. Please check conditions of entry for more information about what cannot be brought into the event and leave these items at home.
For the safety of everyone at the event, certain items not permitted. No strollers, chairs, laser pointers, sparklers, professional cameras or recording devices or selfie sticks, sharp knives or objects. No oversized items larger than an A4 piece of paper including extra-large backpacks, briefcases and suitcases. All bags will be checked on entry, your cooperation is appreciated. Please check conditions of entry for more information about what can and cannot be brought into the event.
There are no ATM facilities available on the Forecourt. Please bring a credit or debit card for any purchases to keep transactions quick and queues short.
Yes. The safety and security of our visitors, patrons and staff is our highest priority. Opera House security will be scanning and checking bags on entry. Please travel lightly and do not bring items that are not permitted as per our conditions of entry.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Forecourt
Set below the famous white sails the Forecourt is located at the base of the Monumental Steps, between the Opera House and the Royal Botanic Gardens.