Volatile Ombré
A poetic ode to nature, brought to life through shadow puppetry
Event details
| Date | Time | Notes |
|---|---|---|
| Tuesday, 6 October 2026 | 10:00am | |
| Tuesday, 6 October 2026 | 11:30am | |
| Tuesday, 6 October 2026 | 1:30pm | |
| Wednesday, 7 October 2026 | 10:00am | |
| Wednesday, 7 October 2026 | 11:30am | |
| Wednesday, 7 October 2026 | 1:30pm |
Post-show artist talk will run for approx. 20 mins after this show |
| Thursday, 8 October 2026 | 10:00am | |
| Thursday, 8 October 2026 | 11:30am | |
| Thursday, 8 October 2026 | 1:30pm | |
| Friday, 9 October 2026 | 10:00am | |
| Friday, 9 October 2026 | 11:30am | |
| Friday, 9 October 2026 | 1:30pm |
| Standard Ticket | Price |
|---|---|
| General Admission | $35 |
| SOH Insiders Ticket | Price |
|---|---|
| General Admission | $31 |
| Groups 4+ | Price |
|---|---|
| General Admission | $31 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 7 July 2026
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9am, Wednesday 8 July 2026
General Public tickets on-sale
9am, Thursday 9 July 2026
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
Recommended for ages 1+
Babes in arms (free on the knee) under 1 year
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Junkpage, FranceVolatile Ombré is a precious spotlight on the wonders that surround us.
Gallery
of
Why the Wild Things Festival Curator loves this showWe love how this performance uses both shadow play from an old school projector, with a live music accompaniment. It reminds us that we can create theatrical magic with the simplest of things.
Meet the cast
Highly sensitive and deeply moved by beauty and poetry, Coline Hateau discovered a true revelation in 2006 when, alongside her brother Timo, she began experimenting with overhead projectors for festival scenography. Enlarging and enhancing details and textures became the starting point of an artistic exploration. Fascinated by the live manipulation of objects and liquids, she gradually developed a practice of improvised shadow theatre performed during concerts and storytelling events.
Over time, her technique became more refined and gave rise to several productions: Imatge e contes, Minimatge e Contots, Jan de L’Ors (Collectif ça-i), L’Epopée d’un Pois (Cie la Rotule), Le Roi des Corbeaux (Sirventès) and Volatile Ombré (Cie la Rotule).
Vincent Lahens, actor and director, has built a diverse artistic career rich in experimentation and creative exploration. After a fairly well-behaved and respectable school career, and with a science-focused high school diploma under his belt, he trained in theatre at the École Régionale d’Acteurs de Cannes (ERAC), under the guidance of renowned directors such as Lavaudant, Sobel, Rambert, Mitrovitsa, Marcowitch and Strancar. This rigorous training gave him the opportunity to work across both classical and contemporary repertoires.
In 2002, Vincent co-founded Théâtre des Deux Mains in the Landes region, and in 2007 he also helped develop AIAA (Atelier d’Initiatives Artistiques et Artisanales). There, he worked extensively with devised theatre and explored a wide range of forms, from storytelling and live cinema concerts to solo performance, event productions, visual arts and performance art, notably alongside visual artist Natacha Sansoz.
Since the early 2000s, he has been active in both the French independent noise rock scene and the classical music world. As a guitarist, singer, keyboardist and computer geek, he has performed in three bands (Tetsuo, Calva and Sibyl Vane) with which he has given over 250 concerts across Europe and recorded nine albums, all released on the Pau-based label A Tant Rêver Du Roi.
Driven by a passion for symphonic music, he brought the Tetsuo Big Band project to life, arranged a show for the Orchestre de Pau, and created orchestral arrangements for the Egyptian Project, featuring 30 string instruments and an ensemble of Egyptian musicians. Through three live film scores and four short films, he has experienced the unique joy of witnessing the subtle alchemy that occurs when music meets image. He has also had the opportunity to blend his music with contemporary theater and dance through numerous collaborative projects.
About La Rotule
Making their Australian debut, French company La Rotule brings their award-winning work to Sydney Opera House for the first time.
La Rotule is a collective of artists and creative professionals spanning music, theatre, set design and live performance. Meeting around 2014 during a Fête de la Musique in the Lot region of France, the company brings together over 25 years of experience across their respective fields. Sharing a common aesthetic, they develop ambitious and meticulously crafted work that connects with audiences on a deeply emotional level.
Credits
Director, Writer and Puppeteer Coline Hateau
Director Vincent Lahens
Composer, Song Writer, Musician and Vocalist Arnaud Millan
Co-production
Un deux un deux, Théâtre Municipal Ducourneau, Agen - L'Astrolabe, Grand Figeac - Le ScénOgraph, SCIN Art et Création, Art en territoire St Céré - Marionnettissimo, Tournefeuille - Odyssud, Scène des possibles, Blagnac
Partners
Odradek - Pupella Noguès, Quint-Fonsegrives
With the support of
La Halle Culturelle, Limogne en Quercy - SMAC le Club, Rodez - Département du Lot - Ville de Concots
More for crawling cubs (ages 0-2)
Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our General Terms and Conditions for Tickets and Events or contact a member of our team on 1300 SOH TIX.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is listed under ticket pricing. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children two years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. All Sydney Opera House foyers are accessible, with lift access to the main and western foyers.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Utzon Room
The Utzon Room is located on the Eastern side of the Opera House, in front of the Joan Sutherland Theatre. Best accessed through the Box Office Foyer or the Covered Concourse. All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).