SmartFone Flick Fest 12th Annual SF3 Kids Gala
Event details
| Date | Time |
|---|---|
| Sunday, 1 November 2026 | 10:15am |
| Unreserved Seating | Price |
|---|---|
| Standard | $30 |
| Concession | $26 |
8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
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General Public tickets on-sale
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
This film is Unclassified PG
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Gallery
of
Program
Alone by Indianna Thompson
All she wants to do is eat iceecream...
Behind a Smile by Claire D'Ortona & Aksha Harit
When the students realise they have only ever seen their teacher smiling, they make it their mission to change that.
Between the Mountains and the Sea by Students from Scarborough Public School
A documentary on how Scarborough’s School Song came to be; a song that is still sung today nearly 30 years later and by generations of local families.
Charlie’s Secret by Charlie Truong
Charlie reveals some of his biggest secrets and takes audiences on a fun, honest, and unexpected journey through his imagination and personal world.
Code Blue by Centre Stage Academy Junior Class
It’s time to return to everyone’s favourite soap opera Code Blue. Dr Matthew is still haunted by visions from a failed surgery, Dr Chelsea is having a bad time with a missing hand and the head nurse is still running triage with an iron fist. Welcome to the world of Code Blue.
COMPUNCTION by Mack Green
COMPUNCTION came from a feeling that many people are quietly falling behind. Across Australia, conversations around the cost of living are constant, and this time I listened. I really wanted to tell this story in a grounded way, focusing on natural human emotion and tension, rather than something that feels fake. I hope the film encourages people to reflect not only on the choices the characters make, but on the society that shaped them during the story. The society we live in everyday.
Dracooler by Indie Jones
When Millie has a dream about the most coolest vampire - DracCooler, a pomegranate-loving, guitar-shredding, jam-making legend – she thinks it’s just her imagination.
But when he shows up at her door, grinning with a guitar and an invite to a jam session, she realizes her dream has come to life.
A stylish, animated surreal adventure where rock ‘n’ roll, vampires, and pomegranates collide.
Hero-Man by Aston Di Donato
Hero-Man is a sci-fi superhero drama set across Earth and a distant alien world, that explores grief, power, and the clash between fear and hope in the aftermath of a tragedy.
Humans Have Something To Teach Aliens by Students from Film By Inspiration
The Aliens have been watching the Earth Kids for weeks now and are jealous of how much fun they’re having. They sneak down to Earth, determined to bring some of that fun back to their planet.
Miss Unité by Hope St Youth & Milk Crate Theatre
When three girls decide to prank their teacher, things go horribly wrong. But when they decide to cover up their mistake instead of owning it, things go even worse for them and their prank spirals out of control.
Mission Impossible by Zac Deren
A teenage boy was mistakenly kidnapped to work at a top secret spy agency. With the promise of big money he decided to go along with it. Unfortunately he proved to be a terrible spy.
Miranda Blackmails by Madeleine and Mila
This influencer is not as sweet as she seems.
My Great Grandfather by Alexis Truong
A young girl celebrates her 101-year-old great-grandfather through memories, moments and reflections on a life spanning more than a century.
Remote Chance by Josslyn, Marlee & Oliver
A film by students from Newtwon High School of the Performing Arts
STOP by Tom Morfitt-White
It’s ok to stop, urgency and stress is often just a matter of perspective.
The New Prisoner by Archer, Reily, Emma and Aarav
The prison guards have been given clear instructions. Under no circumstances are they to open the door for the new prisoner.
The Weight of Water by Rosalie Robin McGrail
Mira, a teenager haunted by guilt after her father drowns in Australia’s treacherous ocean rips, must confront her trauma during a school swim test that forces her to relive the tragedy. As flashbacks reveal her Indian family’s unfamiliarity with the coastline and how it led to the accident, the test becomes a symbolic struggle between grief, fear, and responsibility. The Weight of Water ultimately invites reflection on the duality of Australia’s natural environment its beauty and its peril and the unseen consequences of its waters on migrant families.
The Wet Bandit by Aria Calbro
When $20 vanishes from the family money jar, siblings-turned-detectives Cleo and Liam follow the clues, flashbacks, and a suspicious towel – straight to their little brother Milo. But the “crime” turns out to have a sweeter motive than they expected!
Transendencia by Gia Alvarez
This short film explores the impact of the Uruguayan Great War (Guerra Grande, 1839–1851) on a young girl and how those experiences followed her throughout her life. The story is narrated through the perspective of her older self as she reflects on everything she lived through.
What Happened to Frank? by Centre Stage Academy
It’s time for drama class again and no one has seen Frank in ages, but everyone has a crazy theory exactly what happened to Frank? But is the truth stranger than fiction?
while I was away by Edan Merritt
while I was away follows a group of four friends spending an ordinary day together, but beneath the laughter and nostalgia, one of them feels increasingly disconnected. As the day unfolds, memories and dreamlike moments blur the line between being surrounded by people and truly feeling present. A short film about friendship, isolation and the quiet distance we can feel, even when we’re never physically alone.
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Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our general terms and conditions for tickets and events or contact a member of our team on 1300 764 849.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is listed under ticket pricing. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children three (3) years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Information to help you arrive at the venue on time and prepared for your show.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building. Our walk-through scanners are safe for patrons with pacemakers, cochlear implants or similar devices. Please let security know if you prefer alternative screening.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Playhouse
The Playhouse is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.