Where’s the AI Off Switch? Sophie Gee, Shae O Omonijo and Reuben Rideaux, with Daniel Browning
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Real creativity in an artificial world
Event details
| Date | Time |
|---|---|
| Sunday, 4 October 2026 | 3:30pm |
| Ticket | Price |
|---|---|
| Unreserved Seating | $39 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on +61 2 9250 7777 or by email.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Pope Leo XIVFor an algorithm, an error is a flaw to be corrected; for a person, however, an error can be a catalyst for profound change.
Meet the speakers
Sophie Gee is a professor in the English Department at Princeton University. At the University of Sydney is the inaugural Vice-Chancellor's Fellow and co-director of the Eleos Collaboration in the Office of the Deputy Vice-Chancellor (Community and Leadership). The Collaboration builds academic knowledge that is compassionate and communal.
She is a novelist, journalist and scholar, and her most recent book is a history of 18th-century novels, eating rituals and empire called The Barbarous Feast (Princeton University Press, 2026). Sophie is co-host of the Secret Life of Books, a podcast about classic books.
Shae O Omonijo is a humanist and writer working at the intersection of technology and the humanities. She is the founder of Critical Thinking Labs, a think tank dedicated to preserving human intelligence in an age of accelerating automation, and the creator of the Critical Thinking Bot, a tool built to sharpen, rather than replace, human reasoning. She is a PhD candidate at Harvard University, where she also earned her master's degree, and completed her undergraduate studies with honours at the University of Chicago. Her Substack bestseller, AI, the Humanities, and the Future of Work, explores what we stand to lose and what we must protect, as artificial intelligence reshapes how we think, work and understand ourselves. Shae speaks internationally on the future of critical thought in the age of AI.
Reuben Rideaux is Senior Lecturer in the School of Psychology at The University of Sydney and Lead AI Researcher at Explore Science. He combines computational modelling, brain imaging and psychophysics to study perception and cognition. He has a particular interest in developing new methods for understanding brain function and dysfunction, such as bio-inspired artificial intelligence systems, high-resolution functional MR spectroscopy and neural decoding. He has been awarded over $2.5M in competitive research funding, published over 40 scientific papers and received national and international recognition for his research, including being named one of the Top 20 Under 40 Biomedical researchers in Australia (2022).
The inaugural Professor of Cultural and Creative Industries, Daniel Browning is an Aboriginal writer, journalist, radio broadcaster, documentary maker and sound artist. In his previous role as Editor, Indigenous Radio, at the Australian Broadcasting Corporation, he led the Indigenous Radio Unit, overseeing the longstanding flagship programs Awaye! and Speaking Out, as well as establishing the language revival podcast Word Up.
A visual arts graduate and self-described “failed artist”, Daniel went on to host The Art Show and Arts in 30 podcasts, soothing ABC audiences with a voice once described as “like honey dripping over a rock by a rainforest stream”.
In nearly three decades at the national broadcaster, he worked as a general and specialist arts reporter, digital journalist, newsreader, sub-editor, producer, presenter, manager and senior executive across several divisions, including News and Current Affairs, triple j, ABC Indigenous and Radio National. Daniel is a widely published freelance writer, public interlocutor, arts communicator and cultural critic.
Event Partner
4 Oct – 4 Nov 2026
Curious
Curious is where culture, creativity and ideas collide. It’s for minds that never stop asking questions about the world and ourselves. Dive into the ideas shaping headlines, sparking debate and changing the way we live.
Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a 7-10 minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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