An Evening with Min Jin Lee Hosted by Benjamin Law
Bestselling author of Pachinko, Min Jin Lee explores family, migration and the high cost of pursuing a better life
Event details
| Date | Time |
|---|---|
| Thursday, 25 February 2027 | 8:00pm |
| Standard | Price |
|---|---|
| Premium | $69.50 |
| A Reserve | $59.50 |
| B Reserve | $39.50 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
Latecomers admitted within a suitable break.
Performance may be filmed.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Roxane Gay on American HagwonShe brings grand ambition, fierce heart, and the tenderest hope to a novel I didn’t want to end.
Meet the speaker
Min Jin Lee
Min Jin Lee was born in Seoul, South Korea and immigrated to Queens, New York, with her family when she was seven years old. She studied history at Yale College and law at Georgetown University. Lee practised law for two years before turning to writing. She teaches fiction and essay writing at Amherst College and lives in New York City.
Lee is a writer whose award-winning fiction explores the intersection of race, ethnicity, immigration, class, religion, gender and identity of a diasporic people. Lee’s debut novel Free Food for Millionaires (2007) was a Top 10 Books of the Year for The Times of London, NPR’s Fresh Air, USA Today and a national bestseller. Pachinko, her second novel, is an epic story which follows a Korean family who migrates to Japan; it is the first novel written for an adult, English-speaking audience about the Korean-Japanese people. Pachinko was a finalist for the National Book Award for Fiction, runner-up for the Dayton Literary Peace Prize, winner of the Medici Book Club Prize, a New York Times 10 Best Books of 2017, and is one of Kirkus Review’s Best Books of the 21st Century (So Far). A New York Times Bestseller, Pachinko was also a Top 10 Books of the Year for the BBC, Canadian Broadcasting Corporation and the New York Public Library.
Benjamin Law
Moderator
Benjamin Law’s books include The Family Law, Gaysia, the Quarterly Essay Moral Panic 101 and the edited anthology Growing Up Queer in Australia. He’s created the TV show The Family Law and co-created Wellmania, and has written two plays for Melbourne Theatre Company: Torch the Place and Dying: A Memoir. As a broadcaster, he has hosted ABC TV’s two-part feature documentary on Chinese-Australian history, Waltzing the Dragon, episodes of ABC TV’s Compass, ABC’s Conversations and co-hosted ABC Radio’s Stop Everything with Beverley Wang. He has also appeared on TV shows like Australian Survivor, Filthy Rich and Homeless, Q&A, The Drum and The Project and written for over 50 publications in Australia and beyond. He is the co-chair of Co-Curious, a board member of Story Factory and an ambassador for Plan International Australia, the Australian Literacy and Numeracy Foundation, Twenty10 and the Pinnacle Foundation.
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Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our general terms and conditions for tickets and events or contact a member of our team on 1300 764 849.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is listed under ticket pricing. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children three (3) years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Information to help you arrive at the venue on time and prepared for your show.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building. Our walk-through scanners are safe for patrons with pacemakers, cochlear implants or similar devices. Please let security know if you prefer alternative screening.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Concert Hall
The Concert Hall is located beneath the largest of Sydney Opera House’s roof sails, filling the upper levels of the west side of the building. Best accessed through the covered concourse.
All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).