Best of Bloodfest Shorts 2025
Featuring special guests Mischa Heywood and Sora Wong from the acclaimed Australian horror film, Bring Her Back
Event details
| Date | Time |
|---|---|
| Wednesday 29 October 2025 | 6pm |
| Ticket | Price |
|---|---|
| Standard | $20 |
| Standard: Purchase 4 or more tickets to save 10% | $18 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9:00am, Tuesday 2 September 2025
Become a Sydney Opera House Insider to receive exclusive pre-sale access
General Public tickets on-sale
12:00pm, Tuesday 2 September 2025
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on +61 2 9250 7777 or by email.
Event duration is a guide only and may be subject to change.
This screening will feature special guests Mischa Heywood and Sora Wong from the acclaimed Australian horror film, Bring Her Back.
Red carpet arrivals and media wall photos from 5pm.
This event is rated Parental Guidance (PG) and contains strong horror themes. It is recommended for ages 15+.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Etti Davis, Newtown High School Performing Arts (from 2024 finalist film Purged)Seeing something we’ve worked so hard to create together come to life in full effect right before our eyes felt really magical
Program
Freak by Asha-Lucy Davies. Cast: Katoomba High School.
Asha-Lucy Davies is a filmmaker based in the Blue Mountains. She is the founder of Little Omen Pictures, which aims to provide a space for artistic youth to enter into filmmaking and other areas of the creative industry. Asha-Lucy often explores themes of alienation, magic realism, and experimental storytelling.
Violent Ends by Max Cadzow-Smith and Sam Parker
Max attended AFTRS and has directed 10 short films. His short Holiday won an Honourable Mention in the Hallucinea Film Festival, Paris. His film Shut Up and Leave Me Alone screened in the Bloomsday Film Festival, Dublin.
Hermione by Bella Merlino
Bella has had great success in filmmaking since a very young age. Her documentary Dementia, created when she was in Year 12, won in 46 film festivals worldwide.
Blood will have Blood by Stella O’Brien and Toby Makeham
Stella and Toby attended Newtown High School of the Performing Arts. Blood will have Blood was a finalist in Smart Fone FlickFest in 2023. Toby is an actor and filmmaker who turns his dreams (and nightmares..) into movies! Awarded the Mcilwain scholarship for arts in 2023, he is currently studying film at UTS, where he makes anything from short dramas to odd music videos.
Livestream by Michael Odewahn-Oxley
Michael is an AFTRS graduate and working professional creative. He loves trying out new creative mediums and has a deep love for bringing stories to life.
Blood Call by Asher Harris-Cohen
Blood Call (working title ‘Satan the Slaughterer) was created when Asher was in Year 10 at Newtown High School of Performing Arts and was highly influenced by the slashers of the 70s and 80s, primarily the work of Dario Argento and Lucio Fulci. Asher completed the BA Screen Production at AFTRS and continues to work on creative projects.
The Social Body by Hamish White
Hamish is a multi-disciplinary artist from Launceston, Tasmania, currently based in Sydney. Graduating from WAAPA in 2019 with a Bachelor of Arts (acting), Hamish has dabbled in everything from performing in children's theatre to avant garde horror filmmaking. Hamish has a passion for the horror genre, and is especially interested in the use of abstract movement within more conventional narrative filmmaking.
Pins and Needles by Lilian Harris
Lilian is an emerging writer and director based in Sydney. She recently completed a Bachelor of Screen Arts at AFTRS.
She has worked as a Director's Assistant on Season 3 of Heartbreak High and continues to freelance as a director and editor.
Lilian is particularly drawn to female and LGBTQI+ stories that have yet to be explored on screen. She is also interested in the evolving intersection of film/TV, social media, and gaming.
Pa by Annabelle Richens and Tisya Sharma
Annabelle’s graduate work from her Bachelor of Screen Production at AFTRS, Consume has been selected for multiple international LGBTQ+ and genre festivals including MQFF, GAZE and FFA. She has worked as a Production Co-ordinator on Spaceboy’s Souvenir as part of the Screen NSW Short to Feature Fast Track initiative and her 2022 documentary ‘House Lights Down’ debuted on SBS OnDemand. Most recently as the in-house Producer at Cosmo Productions, Annabelle facilitates the creation of high-end documentary style content for global companies leading the renewable energy transition.
Tisya is an avid movie lover with a particular love for horror. She enjoys exploring how films creatively express complex themes. Tisya currently works as a crisis supporter at Lifeline, an experience that deepens her appreciation for storytelling and the ways it helps us process the human experience.
Green Smoothy by Alyson Rudlin
Alyson is an emerging Australian actor and filmmaker. She starred as 'JJ' in Backlash (2025) and will lead as 'Kira Andrews' in the upcoming feature Rules of the Game. She also has multiple projects in the making, ranging from short films to Netflix. Creating short films since high school, including a full-mark HSC project, she has continued to develop her craft through university studies in media, acting, and film, establishing herself as an upcoming talent in the industry. She is represented by Phoenix Talent.
Little Windows by Leonardo Saul
Leonardo is an independent filmmaker from the small island off the coast of Auckland, Aotearoa. He graduated from Yoobee College of Creative Innovation with a Diploma in Film and Content Creation and a Certificate in Creative Media. Little Windows was selected to screen at the MCA in Sydney as part of GenNext in 2018.
His film passion started at an early age with stop-motion Lego movies (usually with a gruesome theme) but his true love of horror was born when he saw his first David Lynch movie - a director that is still a big inspiration. Leo’s work focusses on atmosphere, emotion and unsettling story-telling.
Leo is about to embark on a nature conservation degree where he intends to integrate filming into wildlife management.
Purged by Etti Davis, Zoe Richardson, and Niharika Desai. Cast: Josie Ritter.
Etti, Zoe, and Niharika are young filmmakers from Newtown High School of the Performing Arts who have a passion for creating, directing and bringing ideas to life. Purged is one of the many films they have made, which explored the horror in the mundane, creating terror at the normal. They look forward to creating more work inspired by the everyday.
Raw by Mia Wolczak
Mia is currently a freelance video editor, with a focus on social content. She has worked as Junior Creative at Fox Sports and she attended Newtown High School of the Performing Arts.
Onni and Annie by Asha-Lucy Davies
Asha-Lucy Davies is a filmmaker based in the Blue Mountains. She is the founder of Little Omen Pictures, which aims to provide a space for artistic youth to enter into filmmaking and other areas of the creative industry. Asha-Lucy often explores themes of alienation, magic realism, and experimental storytelling.
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Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
Location and access
Playhouse
The Playhouse is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.