Sydney Eisteddfod Dance Day
4 August 2024
In the Concert Hall
Dance
At Dance Day thousands of children from primary schools across the state come together to share their love for dance on the concert hall stage.
| Date | Time |
| Sunday 4 August 2024 | 9:00am |
| Sunday 4 August 2024 | 1:30pm |
| Sunday 4 August 2024 | 6:00pm |
| Ticket | Price |
| Unreserved Seating | Per Session |
| Standard | $65 |
| Concession* | $55 |
| Child Under 18 | $40 |
| Ticket | Price |
| Unreserved Seating | Additional Session |
| Extra session† | $10 |
*Students, Australian Pensioners and Seniors card holders
†Extra session price is only valid for the specified time selected and may only be selected if you have already purchased a full price ticket to another session.
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
General Public tickets on-sale
9am, Monday 18 March 2024
Run time
Session 1
9.00am – Infant School Dance Group (Pre-School – Year 2) – Infant
10.30am - Infant & Primary School Dance Group (Pre-School - Year 6) – Infant & Primary School
11:30am – Primary School Musical Theatre Dance Group – Primary School
Session 2
1:30pm - Primary School Dance Group – Years 3 - 6
3:30pm – Primary School Dance Group – Years K - 4
Session 3
6pm – Primary School Jazz Group – Primary
7pm – Primary School Classical, Contemporary & Lyrical Group - Primary
8pm – Primary School Hip Hop Group – Primary School
Event duration is a guide only and may be subject to change.
Age
Suitable for all ages.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Sydney Eisteddfod Dance Day
Dance Day is one of the most fun and vibrant days in the Sydney Eisteddfod calendar. Held at the iconic Sydney Opera House, thousands of children from primary schools across the state come together to share their love for dance on the concert hall stage. This is a day you do not want to miss!
Presented by Sydney Eisteddfod
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Manon
30 Apr – 17 May 2025
Sir Kenneth MacMillan’s adaptation of Abbé Prévost’s 1731 novel, Manon is a tragic fairytale unlike any other in ballet.
Illume
4 – 14 Jun 2025
Bangarra Dance Theatre explore the awe of light, a glowing bridge between the physical and spiritual world.
Nijinsky
4 – 22 Apr 2025
Acclaimed narrative ballet choreographer John Neumeier examines Nijinsky’s final performance, charting the rise and fall of a creative genius in vivid detail. He recalls his troubled family, his ill-fated romances and the transcendent performances that brought him fame.
