Love List:
Steve Reich by Nicolette Fraillon AM

"This was one of the first pieces of Reich I ever heard -  fun, joyous, amusing and interesting. Was then, still is now."

"This is the music utilised in the ballet Dyad 1929.  It won the 2009 Pulitzer Prize for music. It is brilliant structurally. It is energetic, driving, mind-bending to perform. It finishes by building to a wonderfully triumphant finale (triumphant also for we performers having made it to the end without falling off the ride!)"

"For small ensemble this work feels sweepingly symphonic. Interesting structurally as it is based on a cycle of 11 chords. A challenging exercise in stamina for the performers, it is a powerful and impressive piece."

"This piece has both cinematic and almost sacred qualities. It feels as though many stories are being told, simultaneously. Sweeping, layered chords provide backdrop and frame, for the rhythmic counterpoint of dancing wind ensembles."

"This is a very different composition to the others on the playlist. Set to text by Wittgenstein 'How small a thought it takes to fill a whole life'. Contemplative, hypnotic and entrancing."

"Another of my first encounters with Reich’s music. Who doesn’t love the visuals of six pianos lined up, and six pianists hard at work, focused? And the sound envelops you as does the energy of the music and the musicians."

"Best watched as well as heard. Interesting, funny, makes me smile as well as captivated by what might happen next."

"Insane and magical. Communities of musicians, working together: arriving to join the fray; departing to take us in new directions; exploring colours, textures, the power of many, the brilliance of the individual. Is music but also performance art. I love it."