Into Space
A spectacular circus adventure where wonder, courage and imagination take flight
Event details
| Date | Time |
|---|---|
| Wednesday, 6 January 2027 | 10:30am |
| Wednesday, 6 January 2027 | 1:30pm |
| Thursday, 7 January 2027 | 10:30am |
| Thursday, 7 January 2027 | 1:30pm |
| Friday, 8 January 2027 | 10:30am |
| Friday, 8 January 2027 | 1:30pm |
| Saturday, 9 January 2027 | 10:30am |
| Saturday, 9 January 2027 | 1:30pm |
| Monday, 11 January 2027 | 10:30am |
| Monday, 11 January 2027 | 1:30pm |
| Tuesday, 12 January 2027 | 10:30am |
| Tuesday, 12 January 2027 | 1:30pm |
| Wednesday, 13 January 2027 | 10:30am |
| Wednesday, 13 January 2027 | 1:30pm |
| Thursday, 14 January 2027 | 10:30am |
| Thursday, 14 January 2027 | 1:30pm |
| Standard Ticket | Price |
|---|---|
| Premium | $55 |
| A Reserve | $49 |
| B Reserve | $42 |
| SOH Insiders Ticket | Price |
|---|---|
| Premium | $51 |
| A Reserve | $45 |
| B Reserve | $37 |
| Groups 6+ | Price |
|---|---|
| Premium | $51 |
| A Reserve | $45 |
| B Reserve | $37 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
Recommended for ages 7+
This performance may contain the use of strobe lighting and haze effects.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Experience Gold CoastA high-energy, emotionally resonant experience
Q TouringInterstellar meets Star Wars meets Cirque du Soleil
Meet the cast and creatives
Robbie Curtis is the Artistic Director of ARC Circus Co and has worked extensively for over twenty years nationally and internationally, directing, performing, teaching and choreographing. Robbie has worked for companies including Cirque du Soleil, Circa, Circus Oz, Legs on the Wall, Cirque de Paname, Australian Ballet, Australian Opera, Theatre of Image, Circus Monoxide, Shaun Parker Co and Footnote Dance Company. Robbie has directed all works with ARC Circus that have been performed in eight different countries at theatres and major festivals to over 90,000 people. Robbie is internationally recognised for his unique style mixing dance and circus and has been an artistic consultant at the National Institute of Circus Arts. Robbie has performed in notable theatres around the world, including Barbican, Sadler’s Wells, BAM, Theatre Grec, Sydney Opera House and Arts Centre Melbourne, and he has performed at every major Australian arts festival.
Lizzie is the Co-Founder and Executive Director of ARC Circus. Lizzie is also a unique performer and creator performing with ARC. Lizzie has been a key creative in all of ARC’s shows and has performed nationally and internationally with the company in the US, UK, Korea, New Zealand, Cambodia and more. Lizzie’s unique blend of live music, acrobatics and circus has been celebrated with five-star reviews and awards. She has taught all levels of flute, also plays piccolo and is a juggler and clown. Lizzie holds both a Bachelor’s and a Master’s degree from the University of Sydney and has worked in management all over the world, including Singapore, Hong Kong, China, Myanmar, Indonesia, Japan, the UK and the USA.
Kathryn (Kat) O’Keeffe is an internationally recognised circus artist, aerialist, choreographer and acrobatic consultant whose career spans more than 20 years across Australia and abroad. Originally trained in gymnastics and dance, she completed a Bachelor of Dance at the Victorian College of the Arts before building an extensive career across circus, physical theatre, aerial harness, puppetry and swaypole performance in more than 25 countries. Kat has performed at prestigious venues and festivals worldwide, including the Sydney Opera House, Brooklyn Academy of Music, Barbican Centre, TOHU Montréal, Lincoln Center's White Light Festival and World Expo Shanghai. Renowned for her exceptional strength, artistry and stage presence, she has worked with acclaimed companies including Circa, Strange Fruit, Liquid Skin, Highwire Entertainment and ARC Circus. Alongside her performance career, Kat is a sought-after choreographer and acrobatic consultant. Most recently, she co-created the full-length circus productions Velvet Carousel and Valise with her husband and creative partner, Paul O’Keeffe, which premiered internationally in 2026.
Paul O’Keeffe is an internationally acclaimed circus artist, director, trainer and acrobatic consultant with a career spanning almost three decades. Since 1996, he has performed across circus, aerial harness, dance, puppetry, swaypole, musical theatre and physical theatre in more than 25 countries. His work has taken him to some of the world's leading venues and festivals, including the Sydney Opera House, Brooklyn Academy of Music, Lincoln Center's White Light Festival, Barbican Centre, TOHU Montréal, Chamaeleon Theatre Berlin and the London 2012 Olympic and Paralympic Games Festival. Paul has performed with many of Australia's leading contemporary performance companies, including Circa, Circus Oz, Highwire Entertainment and ARC Circus. A highly respected trainer and creative collaborator, he has spent more than 30 years developing artists and consulting on major productions. Most recently, he co-created and performed in the full-length circus works Velvet Carousel and Valise alongside his wife and creative partner, Kathryn O’Keeffe.
Sarah was originally a WA girl, competing in dance and acrobatics for most of her life before ‘running away to join the circus’. Now, she is a well-respected graduate of the National Institute of Circus Arts (NICA, 2016) and officially holds a Bachelor of Circus Arts. Specialising in several different skills, including trapeze, handstands and group acrobatics, she has spent her time sharing her love of performing, expansive skillset and knowledge both on and off stage. Some of her most notable career highlights include performing as an ensemble acrobat for Barnum: The Circus Musical (Melbourne VIC, 2019), Leviathan and Humans by Circa (Perth, Paris & Brisbane 2020) and The Pulse by Gravity & Other Myths Circus (Sydney 2022). Other companies Sarah has and continues to perform with include Na Djinang Circus, One Fell Swoop Circus and ARC Circus. In 2019 she was also awarded the Grand Champion Dancer of the World at the World Championships of Performing Arts in Long Beach, California. During 2024, Sarah was cast in an ABC Kids television show to perform in a giant character suit, showing off her diverse skills not just as an elite-level acrobat but as an all-round performer.
Gerramy began his circus training at the age of 14 with Flipside Youth Circus in Brisbane. After graduating from high school, he was accepted into the National Institute of Circus Arts (NICA), where he expanded his repertoire and specialised in acrobatic basing and rolla bolla. From 2013 to early 2026, Gerramy performed as an ensemble member with Circa, contributing to the creation and presentation of numerous productions across the globe. During his time with the company, he developed a deep passion for group acrobatics and collaborative skill creation.
Among his proudest achievements is basing a four-high during a hometown season at QPAC, an accomplishment that remains a career highlight.
About ARC Circus Dance Theatre
ARC Circus is a multi-faceted international performing arts company based in Australia. They are in the business of celebrating and creating extraordinary stories and bringing them to audiences through the power of circus, dance and theatre. ARC Circus are a multi-talented group of individuals bound by art, invention, and curiosity.
Credits
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Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our general terms and conditions for tickets and events or contact a member of our team on 1300 764 849.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is listed under ticket pricing. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children three (3) years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Information to help you arrive at the venue on time and prepared for your show.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building. Our walk-through scanners are safe for patrons with pacemakers, cochlear implants or similar devices. Please let security know if you prefer alternative screening.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Playhouse
The Playhouse is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.