Velvet Inferno
Burn baby burn!
Event details
| Date | Time |
|---|---|
| Tuesday, 1 September 2026 | 6:30pm |
| Wednesday, 2 September 2026 | 6:30pm |
| Thursday, 3 September 2026 | 6:30pm |
| Friday, 4 September 2026 | 6:30pm |
| Saturday, 5 September 2026 | 3:30pm |
| Saturday, 5 September 2026 | 6:30pm |
| Sunday, 6 September 2026 | 1:30pm |
| Sunday, 6 September 2026 | 4:30pm |
| Tuesday, 8 September 2026 | 6:30pm |
| Wednesday, 9 September 2026 | 6:30pm |
| Thursday, 10 September 2026 | 6:30pm |
| Friday, 11 September 2026 | 6:30pm |
| Saturday, 12 September 2026 | 3:30pm |
| Saturday, 12 September 2026 | 6:30pm |
| Sunday, 13 September 2026 | 1:30pm |
| Sunday, 13 September 2026 | 4:30pm |
Tuesday Performances
| Ticket | Price |
|---|---|
| Front Row | $109.90 |
| A Reserve | $99.90 |
| B Reserve | $89.90 |
| C Reserve | $69.00 |
| C Reserve - Restricted View | $69.90 |
| D Reserve - Restricted View | $49.90 |
Wednesday, Thursday & Sunday Performances
| Ticket | Price |
|---|---|
| Front Row | $119.90 |
| A Reserve | $109.90 |
| B Reserve | $99.90 |
| C Reserve | $79.00 |
| C Reserve - Restricted View | $79.90 |
| D Reserve - Restricted View | $59.90 |
Friday & Saturday Performances
| Ticket | Price |
|---|---|
| Front Row | $134.90 |
| A Reserve | $124.90 |
| B Reserve | $109.90 |
| C Reserve | $99.90 |
| C Reserve - Restricted View | $99.90 |
| D Reserve - Restricted View | $69.90 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9:00am, Tuesday 3 March 2026
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9:00am, Wednesday 4 March 2026
General Public tickets on-sale
12:00pm, Friday 6 March 2026
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
Recommended 12+
This performance will contain strobe lighting, theatrical haze and smoke, and adult themes including partial nudity. Please note some seats close to the stage may be exposed to splashes of water during one act of the performance.
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Arts HubI dare anyone to go and try not to have the greatest night out of their life.
In DailyA flawless, exhilarating show that leaves audiences uplifted, charged and ready to boogie on into the night.
Gallery
of
Meet the artists
Marcia Hines
The Diva
Australia’s beloved musical treasure Marcia Hines, with a career spanning five decades, has released 22 albums, selling 2.6 million copies, and has garnered countless chart-topping singles and multi-platinum records globally.
Marcia is an inspiration to women and Australians everywhere, constantly reinventing herself and setting industry benchmarks; moving from Boston Massachusetts to Sydney at just 16 to star in the Australian production of Hair, being the first black woman to star in Jesus Christ Superstar and advocating ceaselessly for diabetes.
Marcia was Australian Idol’s favourite judge for the show’s seven consecutive years, and was inducted into the ARIA Hall of Fame in 2007. She received the Order of Australia (AM) in 2009 for her services to the Australian Entertainment Industry as a performer, judge and mentor, and to the community through a range of charitable organisations.
Brendan Maclean
Country Mike
Brendan Maclean is an Australian singer-songwriter and performer celebrated for his powerhouse vocals, theatrical flair, and electrifying live shows. He returns this year to the disco spectacular Velvet, reprising the role that launched his career alongside Marcia Hines.
He made his film debut in Baz Luhrmann’s The Great Gatsby and released his first single Stupid, earning over eight million streams and a publishing deal with Universal. Maclean has released five EPs and two top-ten Australian albums, including funbang1 and And The Boyfriends.
In 2022, Brendan received rave reviews for his take on the titular character of Dr Jekyll and Mr Hyde and last year took on the lead role in Tim Burton's touring cabaret Wednesday Island. He earned an AACTA award for the song Fine from How to Make Gravy and has performed with Kylie Minogue, Alan Cumming, and Darren Hayes at venues including the Sydney Opera House and New York’s Joe’s Pub.
KYE
Gloria
In the short time since emerging, KYE has won over audiences with her celebratory, sun-soaked blend of pop and R&B. Her debut EP Good Company earned nationwide acclaim and featured collaborations with Touch Sensitive, Sampa The Great and Jerome Farah. Tracks Bossin and Clique marked a bold new era, gaining support from triple j, CADA and international tastemakers.
Destined for the stage, KYE has headlined sold-out shows across Australia, supported TLC and Amy Shark, and toured with Genesis Owusu, Peking Duk and The Jungle Giants. She has appeared at Ability Fest, Beyond The City and NYE on The Hill, and was selected as a Spotify EQUAL Ambassador. In 2025, Kylie’s Rant marks a fearless new chapter, further cementing her place as one of Australia’s most compelling contemporary artists.
Craig Reid
Hula Boy
Craig Reid, aka The Incredible Hula Hoop Boy, is an award-winning Scottish hula hoop and quick change artist who has captivated audiences around the world across cabaret, television and variety theatre. With a Circus University degree in hula hooping and a background in gymnastics and dance, Craig has earned multiple Guinness World Records and accolades including Best Specialty Act at the London Cabaret Awards and winner of the BBC talent show The Slammer.
His career highlights include performances with acclaimed productions La Clique, La Soirée and Spiegelworld’s OPIUM and ABSINTHE in Las Vegas. A member of the Velvet family since the beginning, Craig has toured internationally with the production and returns once again for Velvet Inferno.
Duo Stardust
Roller-skaters
Yevhenii and Vlada from Duo Stardust are a roller skating duo from Ukraine taking acrobatics to thrilling new heights. Their jaw-dropping act has wowed audiences around the world, earning five Golden Buzzers across the Got Talent franchises in America, Britain, France, Slovakia and Lithuania. They are also current Guinness World Record holders for their incredible skating routine.
Oleg Tatarynov
Aerialist
Oleg Tatarynov is a Ukrainian aerial artist based in Spain, specialising in flying poles, where strength, risk and artistry collide high above the stage. Known for his fluid movement, precision and striking visual style, Oleg transforms aerial acrobatics into a powerful form of storytelling. He has performed on major stages and international television productions around the world, earning Grand Finalist spots on Australia’s Got Talent, France’s Got Talent and Spain’s Got Talent.
In Velvet Inferno, Oleg presents a breathtaking act that blends choreography, aerial acrobatics and physical theatre, featuring a dramatic interaction with a bathtub filled with water. Moving between grounded intensity and soaring suspension, the performance explores weight, movement and height in a visually stunning display.
Zoë Marshall
Hair Hang & Trapeze
Zoë Marshall is an Australian/British circus artist whose background spans gymnastics, dance and acrobatics before pursuing a professional career in circus arts and film. A graduate of the National Institute of Circus Arts (NICA) Bachelor program in 2018, Zoë specialises in unique disciplines including hair hang, contortion, carpet spinning, acrobatics and aerials.
Emma Feliciano
Siren
Emma Feliciano is a bright and emerging performer. Beginning her training at Ettingshausens and attending summer intensives at the Australian Ballet School in Melbourne, she gained exposure to all facets of the performing arts from a young age.
Her musical theatre credits include Princess Ying Lao Lak in Opera Australia’s The King and I (2014), Consuelo/Rosalia cover in Opera Australia’s West Side Story on Sydney Harbour (2024), Lila Dixon in Irving Berlin’s Holiday Inn at the Hayes Theatre (2024), ensemble in Opera Australia’s Guys and Dolls on Sydney Harbour (2025), and Jennifer Parker/ensemble in Back to the Future: The Musical (2025–26).
Emma’s screen credits include Ready Set Dance, where she was an original Kid Crew member, and The Deb, directed by Rebel Wilson.
Mateja Sardelis
Siren
Mateja Sardelis is a 2025 graduate of the Queensland Academy of Excellence in Musical Theatre at Griffith University. Her career highlights include being a grand finalist on The Voice Australia (2021) as part of girl group G-Nat!on, competing in Eurovision – Australia Decides (2022), where the group placed in the top five, performing internationally at the Mulia Resorts NYE Gala (2024–25), and appearing in Prospero Arts’ production of Sweet Charity (2025), directed by Cameron Mitchell.
With G-Nat!on, she has released original music across all major streaming platforms (2017–22). At university, Mateja performed the role of Diana Morales and understudied Cassie in her graduating production of A Chorus Line.
Credits
CAST
Marcia Hines - The Diva
Brendan Maclean - Country Mike
KYE - Gloria
Craig Reid - Hula Boy
Yevhenii and Vlada - Rollerskaters Duo Stardust
Oleg Tartarynov - Aerialist and Flying Poles
Zoe Marshall - Hair Hang and Trapeze
Emma Feliciano - Siren
Mateja Sardelis - Siren
CREATIVES
Craig Ilott - Creator and Director
Giuseppe (Joe) Accaria - Musical Director
Amy Campbell - Choreographer
James Browne - Costume and Set Design
Matt Marshall - Lightning Design
Matt Henderson - Technical Production Manager
Justin Marshman - Company and Stage Manager
Scarlett Hughes - Wardrobe Supervisor
Peter Rix - Executive Producer
Harriet Snaith - Producer
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Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our General Terms and Conditions for Tickets and Events or contact a member of our team on 1300 SOH TIX.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is the Sydney Opera House. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children two years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. All Sydney Opera House foyers are accessible, with lift access to the main and western foyers.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
Location and access
Studio
The Studio is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.