asses.masses Sydney Festival 2026

  • Experiences
  • Drama Theatre
  • Run time: 450 minutes, including 4 intervals Subject to change
  • Seating map

A marathon-length collaborative video game experience, directing a herd of donkeys to rebel against man and machine 

Will you lead the first ever donkey protest? In this epic, seven-hour video game, you take turns with fellow audience members to lead a herd of cheeky, rebellious donkeys to get their jobs back. Don’t worry, there are intervals and snacks provided throughout this communal gaming adventure.

Bring your friends and get ready to make new ones in this provocative and engaging gaming marathon. One-by-one and with commentary from the crowd, together you will tackle 2D and 3D game genres, from side-scroller beat-‘em-ups to trivia quizzes, Guitar Hero-style button mashers, a rock n’ roll version of Pong and much more, as the donkeys go burro-ing through a post-Industrial world. 

This is theatre where you control the action, literally, and work collaboratively to overcome the puzzles and challenges encountered along the way. Laced with bawdy humour and social commentary, asses.masses will challenge your ass-umptions of what a live theatre experience can be. 

Presented by Sydney Festival

Event details

An awe-inspiring undertaking … the game’s blend of experimentation, bawdy humour, world-building, and audience collectivity is thrilling.

Intermission Magazine

Could shows like this be the future of theatre? Fingers crossed.

Broadway World UK

Marathon game about a donkey revolution is an ass-tounding experience.

BroadwayWorld.com

Attending this event

Plan your visit

Address

Sydney Opera House
Bennelong Point
Sydney NSW 2000
Australia

Getting to the venue

The Opera House is a 7-10 minute walk from Circular Quay, and is easily accessible by car, train, ferry, lightrail, bus, bike and on foot.

Location and access

Drama Theatre

The Drama Theatre is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.

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