Bankstown Poetry Slam - Grand Slam
Australia’s biggest live poetry event is back
Event details
| Date | Time |
|---|---|
| Thursday 12 February 2026 | 7:30pm |
| Ticket | Price |
|---|---|
| Standard | $39.00 |
| Concession | $29.00 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 23 December 2025
Become a Sydney Opera House Insider to receive exclusive pre-sale access
General Public tickets on-sale
9am, Wednesday 24 December 2025
Event duration is a guide only and may be subject to change.
Recommended for ages 15+. May contain mature themes.
The GuardianThere was so much heart, intention, love, togetherness. You’ve got all walks of life that are in there and they just came together. The space is a testament to that, to how people can come together.
Gallery
of
Feature Artists
Maxine Beneba Clarke is the author of over fifteen books for adults and children, including the ABIA and Indie award-winning short fiction collection Foreign Soil, the critically acclaimed bestselling memoir The Hate Race, the self-illustrated picture book When We Say Black Lives Matter, which was longlisted for the UK’s Kate Greenaway medal, and the CBCA Honour Book The Patchwork Bike (illustrated by Van T Rudd), which won the 2019 Boston Globe Horn Prize for Best Picture Book. Her poetry collections include Carrying the World, which won the 2017 Victorian Premier’s Literary Award for Poetry, How Decent Folk Behave, It’s the Sound of the Thing: 100 new poems for young people, which won the 2024 ABIA for Book of the Year for Younger Readers and the recently released Beautiful Changelings and Stuff I'm (NOT) Sorry For: 99 more poems for young people. Maxine was the inaugural Peter Steele Poet in Residence at the University of Melbourne (2023-2025).
Filipino and Murrawarri artist DOBBY (Rhyan Clapham) is a rapper, drummer, composer and producer whose work blurs the lines between hip-hop, classical and cultural storytelling. Self-described as a “drapper” (drummer/rapper), DOBBY fuses hard-hitting beats, live instrumentation, and urgent lyricism to deliver performances that are both electrifying and deeply moving.
An award-winning artist and fierce advocate, DOBBY’s music speaks to truth, justice and connection to Country. His debut album Warrangu: River Story (ABC Music, 2024) blends Indigenous languages, orchestral arrangements and field recordings to tell the story of the Barka (Darling River) and the fight to protect it. The record won the 2024 ARIA Award for Best World Music Album and was shortlisted for the Australian Music Prize.
Beyond the stage, DOBBY is a sought-after composer, speaker and educator, creating works for Vivid Sydney, the Art Gallery of NSW, Parrtjima, and major cultural festivals across the country. Whether fronting a festival crowd or leading a workshop, he uses music as a tool for empowerment, truth-telling and change.
DOBBY’s artistry is bold, uncompromising and rooted in community — a voice that resonates far beyond the beat.
Arantza Garcia Ferrand is an emerging Peruvian writer, living and performing on Kaurna Country. Arantza uses her story-teller voice to bring life into the dead, quiet moments that surround us, as she explores her ever-evolving cultural identity, and the silent poetry of our everyday lives. She is an organiser, co-host and designer for The Gathered Sound, a poetry open mic platforming the voices and experiences of poets of colour. She was shortlisted for the Deep Creek residency for 2025, and has had her work published in a Pure Slush anthology.
Arantza is the 2025 Australian Slam Champion, having competed in the national finals at the Sydney Opera House, and has performed at several festivals, galleries, and charity events. She will tour her poetry internationally during 2026, along with publishing a poetry chapbook.
Hasib Hourani is a Lebanese-Palestinian writer, editor, arts worker and educator living on unceded Gadigal Country. His debut book, rock flight was published with Giramondo in 2024 and won the Mary Gilmore Award and the NSWLA Kenneth Slessor Prize for Poetry.
Jeanine Leane is a Wiradjuri writer, poet and essayist from southwest New South Wales. Her poetry, short stories, critique and essays have been published in Australian Poetry Journal, Antipodes, Westerly, Cordite Review Overland and the Sydney Review of Books. Jeanine has published widely in the areas of Aboriginal literature, writing otherness, literary critique and creative non-fiction. She taught Creative Writing and Aboriginal Literature at the University of Melbourne from 2016 -2024. Jeanine’s collection of poetry, Gawimarra gathering (UQP 2024) won the 2025 Victorian Premier’s Literary Award for Poetry and was shortlisted for the Kenneth Slessor Prize at the NSW Literary Awards 2025.
Luka Lesson is a writer, spoken word performer, recording artist and educator of Greek heritage.
His work critically dissects culture and society, emphasising the nuance of the human condition as he breathes new meaning into adages and fables, examining contemporary moments through history’s looking glass. As a performer he embodies the lineage of oratory performance, captivating audiences with the musicality of storytelling, and earning accolades from some of the world’s most respected poets and speakers.
Luka has written commissions for the Queensland Symphony Orchestra, the BBC, The National Gallery of Victoria, The National Poetry Library of Scotland and The Institute of Non-Violence. He has also toured across the planet, from shows with Akala (UK) and Tiki Taane (NZ) to festivals like South Africa's OneBlood Festival and The Auckland Writers' Festival. Luka's own poetry has been placed on English curriculums throughout Australia, and he has taught writing and performance technique in Australia and overseas for more than a decade, including a lecture for China’s most celebrated living poet Xi Chuan, in Beijing. Luka Lesson is also a former Australian Poetry Slam Champion (2011).
Omar Musa is an author, visual artist, rapper and poet from Queanbeyan, Australia. He has written two novels (including Fierceland), three books of poetry, five hip-hop records and two plays, Since Ali Died and The Offering (A Plastic Ocean Oratorio), with cellist Mariel Roberts Musa. His work has appeared in The Best Australian Stories and Best of Australian Poems.
His debut novel Here Come the Dogs was long-listed for the International Dublin Literary Award and Miles Franklin Award and he was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.
He has had several solo exhibitions of his woodcuts, including his most recent, All My Memories Are Mistranslations.
Bankstown Poetry Slam
Bankstown Poetry Slam (BPS) is an award winning community platform which empowers people to express themselves through spoken word poetry. Drawing crowds of up to 2000 people, BPS hosts bold and exciting poetry events.
BPS also runs workshops, performances and programs at high schools and other events and founded the first annual National Youth Poetry Slam in 2022.
Heralding in hundreds of people each month, BPS has featured renowned local and international artists including Kid Laroi, Plestia Alaqad, Rupi Kaur, Rudy Francisco, Safia Elhillo, Raymond Antrobus, Nate Marshall, Luka Lesson, Omar Musa and dozens more.
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Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a 7-10 minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
Location and access
Concert Hall
The Concert Hall is located beneath the largest of Sydney Opera House’s roof sails, filling the upper levels of the west side of the building. Best accessed through the covered concourse.
All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).