An Evening with Fran Lebowitz
With Benjamin Law
13 & 14 February 2024
In the Concert Hall
Talks & IdeasIn a cultural landscape teeming with self-proclaimed experts and incessant chatter, Fran Lebowitz reigns supreme with scathing and insightful social commentary. A force to be reckoned with, she possesses an unparalleled ability to dissect life with biting precision.
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Date |
Time |
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Tuesday 13 February |
7.30pm |
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Wednesday 14 February |
7.00pm |
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Ticket |
Price |
|---|---|
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Premium |
$149 |
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A Reserve |
$119 |
| B Reserve |
$89 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The authorised agencies for this event are Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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9am, Wednesday 9 August 2023
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9am, Thursday 10 August 2023
Run time
This show runs for approx. 90 minutes.
30 minutes in conversation, 60 minutes direct audience engagement and Q&A.
Event duration is a guide only and may be subject to change.
Age
Age guidance: 14+
Performance may contain strong language and adult themes.
Children aged 15 years and under must be accompanied by an adult at all times.
Also on this page
Seating map
Prepare to be captivated by the formidable Fran Lebowitz
An American original and purveyor of urban cool, the cultural satirist and author is pointed, forthright, unapologetically opinionated, and known for her hilariously dry social commentary on American life. Lebowitz’s recent Netflix documentary series directed by good friend Martin Scorsese, Pretend It’s A City, was an unmitigated hit with its offering of a tantalizing snapshot of New York in full bloom, along with Lebowitz’s lively and unapologetic commentary on what it means to live there.
By turns ironic, facetious, deadpan, sarcastic, and wisecracking, Lebowitz takes to the stage to share her invariably cutting take on anything and everything; from growing up in New Jersey and being expelled from her high school for being a “pernicious influence” on her peers, to moving to New York City in the 70’s, and writing a column for Andy Warhol’s Interview magazine. She’ll offer insights on such timely issues as gender, race, gay rights, and the media. She will regale you with a litany of personal vexations, aiming her disdainful gaze at the revolting spectacles of celebrity culture, the nuisance of tourists, the encroachment of technology, and fresh disdain of baggage-claim areas. Moreover, she will engage in her favourite recreational activity: unleashing her razor wit on the audience in a 60-minute Q&A.
This evening promises to be a balm in a wildly shifting world, offering spot-on observations about contemporary living and the opportunity to ask Lebowitz your own controversial questions. Do not miss it.
Fran Lebowitz will be joined on stage with Benjamin Law ahead of the Q&A, and will sign copies of her book after the show.
Presented by Sydney Opera House, FANE and Andrew Kay
Lebowitz on wisdomThink before you speak. Read before you think.
On franknessSpilling your guts is exactly as charming as it sounds.
On parentingIf you are truly serious about preparing your child for the future, don't teach him to subtract—teach him to deduct.
On herselfSuccess didn’t spoil me; I’ve always been insufferable.
On youYour life story would not make a good book. Don't even try.
In a cultural landscape filled with endless pundits and talking heads, Fran Lebowitz stands out as one of our most insightful social commentators. Her essays and interviews offer her acerbic views on current events and the media – as well as pet peeves including tourists, baggage-claim areas, after-shave lotion, adults who roller skate, children who speak French, or anyone who is unduly tan. The New York Times Book Review calls Lebowitz an “important humorist in the classic tradition.” Purveyor of urban cool, Lebowitz is a cultural satirist whom many call the heir to Dorothy Parker.
Benjamin Law is an Australian writer and broadcaster. He’s the author of The Family Law (2010), Gaysia (2012), the Quarterly Essay Moral Panic 101 (2017) and editor of Growing Up Queer in Australia (2019).
Benjamin is also an AWGIE Award-winning screenwriter. He’s the co-executive producer, co-creator and co-writer of the Netflix comedy-drama Wellmania, creator and co-writer of three seasons of the award-winning TV series The Family Law (SBS/Hulu/Comedy Central Asia) and playwright of the sold-out mainstage play Torch the Place (Melbourne Theatre Company). He has a PhD in creative writing and cultural studies from the Queensland University of Technology (QUT).
Every week, Benjamin co-hosts ABC Radio National’s weekly national pop culture show Stop Everything and interviews public figures for Good Weekend. He hosted ABC TV’s two-part feature documentary on Chinese-Australian history Waltzing the Dragon, and has appeared on TV shows like Australian Survivor (Ten), Filthy Rich and Homeless (SBS), Q&A (ABC), The Drum (ABC) and The Project (Ten). He has also written for over 50 publications in Australia and beyond—including the Monthly, frankie, Guardian, Monocle and Australian Financial Review—and is a literary scout for Hachette Australia.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars. Please remember to maintain physical distancing whilst consuming drinks in our foyers.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer consistent with COVID-safe rules.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see their website for details.
Please check the Transport NSW website for the latest advice and information on travel and COVID-19 safety measures. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We encourage you to wear a mask in indoor settings or when physical distancing can’t be maintained, and please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
Nothing is more important to us than the health and safety of everyone on site, and we are closely following NSW Health guidelines and advice. The Sydney Opera House is registered as a COVID Safe business with the NSW Government. For detailed information about our COVID-19 safety measures and what’s required of you when visiting, please see our plan your visit page.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
As you move around the Opera House, practise physical distancing (1.5 metres whenever possible) and follow the guidance provided by our staff and signage.
Within venues, always take your allocated seat.
For detailed information about our COVID-19 safety measures and what’s required of you, please see our plan your visit page.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
Contact information is required when making a booking with us and upon arrival at the Opera House, as set out in our General Terms and Conditions for Tickets and Attendance at Events and our Customer Privacy Statement.
As the ticket purchaser, you are responsible for recording the contact details of your guests. Contact information will only be used for the purposes of contact tracing, if required, and will be deleted at least 28 days after your event.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend. If you can no longer attend because you are unwell, or have been in contact with someone displaying COVID-19 symptoms, the Opera House has introduced flexible ticketing options to help you.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House will become a smoke-free site from Saturday 1 January 2022.
By becoming a smoke-free site, the Opera House seeks to reduce exposure to harmful second-hand smoke, as well as minimise the impact of smoking on the environment, including litter and pollution of the surrounding marine environment.
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