The Gene Editing Revolution with Jennifer Doudna
21 May 2024
In the Concert Hall
Talks and Ideas
The world is on the cusp of extraordinary changes - from cures for intractable illnesses to dramatic reductions in greenhouse gasses - thanks to Nobel Prize winner Jennifer Doudna. Join her in this fascinating discussion with Natasha Mitchell and learn about the benefits - and some of the threats - in the revolution in gene editing.
| Date | Time |
|---|---|
| Tuesday 21 May 2024 | 7pm |
Ticket | Price |
|---|---|
| Premium | $65 |
| A Reserve | $55 |
| B Reserve | $45 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The authorised agencies for this event are Sydney Opera House and Sydney Writers Festival. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
8am, Wednesday 24 January 2024
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General Public tickets on-sale
9am, Wednesday 24 January 2024
Run time
The run time for this event is 90 minutes.
Event duration is a guide only and may be subject to change.
Age
Recommended for all ages.
Children aged 15 years and under must be accompanied by an adult at all times.
Jennifer Doudna, Nobel Prize WinnerI had been told that girls don’t do science. And fortunately, I ignored that.
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Seating map
The promise and peril of CRISPR
An intrepid biochemist reckons with the monumental implications of her most provocative discovery to date: a deceptively simple, yet startlingly powerful method to rewrite the very blueprints of life. This isn’t just any scientific breakthrough, but a tool that promises unparalleled control over DNA — the core of existence — teetering on the brink between amazing potential and great danger.
This technique, known as CRISPR, emerged not as a quiet ripple in the scientific community, but as a tidal wave of concern among its very pioneers, reminiscent of the trepidation that shadowed the advent of the atomic bomb. In 2015, biochemist Jennifer Doudna stepped forward to issue a moratorium on using CRISPR for human embryonic edits that pass on to future generations. This revolutionary technology, lauded for its simplicity and efficacy, harbours the capacity to cure intractable diseases and could be the answer to famine. Yet, it brings with it the perilous possibility of irreversible genetic ripple effects and the contentious debate over the ethics of heritable changes in humans.
Sydney Opera House presenting partners
Jennifer Doudna
Founder & Chair of the IGI Governance Board
Dr. Jennifer A. Doudna is the Li Ka Shing Chancellor’s Chair and a Professor in the Departments of Chemistry and of Molecular and Cell Biology at the University of California, Berkeley. Her groundbreaking development of CRISPR-Cas9 as a genome-engineering technology, with collaborator Emmanuelle Charpentier, earned the two the 2020 Nobel Prize in Chemistry and forever changed the course of human and agricultural genomics research.
This powerful technology enables scientists to change DNA — the code of life — with a precision only dreamed of just a few years ago. Labs worldwide have re-directed the course of their research programs to incorporate this new tool, creating a CRISPR revolution with huge implications across biology and medicine.
In addition to her scientific achievements, Doudna is a leader in public discussion of the ethical implications of genome editing for human biology and societies, and advocates for thoughtful approaches to the development of policies around the safe use of CRISPR technology.
Doudna is an investigator with the Howard Hughes Medical Institute, senior investigator at Gladstone Institutes, and the founder of the Innovative Genomics Institute. She co-founded and serves on the advisory panel of several companies that use CRISPR technology in unique ways.
She is a member of the National Academy of Sciences, the National Academy of Medicine, the National Academy of Inventors, and the American Academy of Arts and Sciences. Doudna is also a Foreign Member of the Royal Society, a member of the Pontifical Academy of Sciences, and has received numerous other honors including the Breakthrough Prize in Life Sciences (2015), the Japan Prize (2016), Kavli Prize (2018), the LUI Che Woo Welfare Betterment Prize (2019), and the Wolf Prize in Medicine (2020). Doudna’s work led TIME to recognize her as one of the “100 Most Influential People” in 2015 and a runner-up for “Person of the Year” in 2016. She is the co-author of A Crack in Creation, a personal account of her research and the societal and ethical implications of gene editing.
Natasha Mitchell
Moderator
Natasha Mitchell is a multi-award-winning journalist, radio presenter, and podcaster. She is host of the ABC Radio National's flagship Big Ideas program and podcast, was founding host and producer of the internationally renowned radio show and one of the ABC’s first podcasts, All in the Mind, which won the Grand Prize and four Gold World Medals at the New York Radio Festivals, amongst other awards. Natasha hosted the ABC's daily social affairs program Life Matters, and was founding host and producer of Science Friction, awarded Best Science and Medicine podcast at the Australian Podcast Awards. Natasha served as a board member and vice president of the World Federation of Science Journalists and was recipient of the prestigious MIT Knight Fellowship. She has facilitated many public forums around Australia, including four science dialogues with the Dalai Lama and guests. She has an engineering degree with first class honours, and a postgraduate diploma in science communication.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
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The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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