*TEST* Event | cast list
33 November – 33 December 2033
In the Concert Hall
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Single person
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Benjamin Millepied
Artistic Director, Choreographer, Filmaker
Benjamin Millepied (Bordeaux, 1977) is a choreographer, filmmaker, and former principal dancer with New York City Ballet. Millepied studied Classical Ballet with Vladimir Skouratoff at the Grand Theatre de Bordeaux, and later at the School of American Ballet with Stanley Williams and Adam Luders, before joining the New York City Ballet in 1995 were he was later promoted to Principal Dancer.
His choreographic work began in 2001 and he soon after founded a pick-up troupe, Danses Concertantes, before serving as choreographer-in-residence at The Baryshnikov Arts Center. Since 2005, he has choreographed for some of the preeminent global companies including the New York City Ballet, Paris Opera Ballet, San Francisco Ballet, American Ballet Theatre, Berlin Staatsoper, and Dutch National Ballet, among others.
In 2012, Benjamin Millepied moved to Los Angeles and co-founded L.A. Dance Project with Charles Fabius with the vision to create a new model for a dance organisation in America, from both an artistic and economic perspective. Through new commissions, revivals of choreographic masterpieces, and efforts to support local emerging artists, foster community partnerships, and uplift dance education, L.A. Dance Project continues to serve as a central hub for audiences and artists alike with a mission to create, perform, and present exceptional and accessible dance in Los Angeles and around the world.
L.A Dance Project wishes to thank Van Cleef & Arpels for their support.
Cast
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Bio Card | One
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Louise Herron AM
CEO
Qualifications: BA, LLB (Sydney University), LLM (London University), GAICD
Louise has been CEO of the Sydney Opera House since 2012, after careers as a lawyer and corporate adviser. In her time as CEO, Louise has delivered a far-reaching Decade of Renewal to open the Opera House up to more of the community, with a broader, more diverse range of programming and other experiences to welcome more visitors in person and online.
Renewal included the largest and most transformative series of building works since the Opera House opened in 1973. The program, totalling more than $300 million, has touched all corners of the building and opened new spaces to the public – from the removal of vehicles on the Forecourt to the new Centre for Creativity and refurbishing the Concert Hall, as well as significant improvements for visitors with limited mobility.
The Opera House also recently completed its year-long 50th anniversary celebrations, involving a program of more than 230 special performances and activities for the whole community to celebrate the past, present and future of Australia’s favourite building. The 50th has been a launching pad for the Opera House’s ambition to be Everyone’s House.
Bio Card List | Two
Qualifications: BA, LLB (Sydney University), LLM (London University), GAICD
Louise has been CEO of the Sydney Opera House since 2012, after careers as a lawyer and corporate adviser. In her time as CEO, Louise has delivered a far-reaching Decade of Renewal to open the Opera House up to more of the community, with a broader, more diverse range of programming and other experiences to welcome more visitors in person and online.
Renewal included the largest and most transformative series of building works since the Opera House opened in 1973. The program, totalling more than $300 million, has touched all corners of the building and opened new spaces to the public – from the removal of vehicles on the Forecourt to the new Centre for Creativity and refurbishing the Concert Hall, as well as significant improvements for visitors with limited mobility.
The Opera House also recently completed its year-long 50th anniversary celebrations, involving a program of more than 230 special performances and activities for the whole community to celebrate the past, present and future of Australia’s favourite building. The 50th has been a launching pad for the Opera House’s ambition to be Everyone’s House.
Qualifications: BSc (University of Sydney), BComm (Macquarie University), Post Graduate Certificate, Business Practice (Kingston University, London)
Jade was appointed Chief Customer Officer in January 2022 to drive exceptional end-to-end customer experience and strategy spanning all customer touchpoints. As Chief Customer Officer, Jade is responsible for tour operations, ticketing, visitor services, access, retail and the Opera House’s award-winning bars and restaurants. She also leads marketing and communications for Australia’s most valuable brand.
Jade joined the Opera House in 2013 and has held several senior positions including General Manager, Tours and Retail, and Director, Visitor Experience. Previously, her 20-year career in tourism, attraction management and customer experience included roles as the General Manager, Sydney Aquarium and General Manager, Sydney Tower, before being appointed Head of Sydney Attractions for Merlin Entertainments Group where her responsibility broadened to include the management of six attractions drawing more than 2.5 million paid visitors annually.
Since 2014, Jade has served as a councillor on the Tourism Industry Council, is a founding member of the Sydney Visitor Collective, a member of the 24 Hour Economy Advisory Group (including Chair of the subgroup Consumer Habits and Audience Demands). In 2023, Jade was appointed to the inaugural Steering Committee for the World Class Public Service Disability Review.
Bio Card List | Three
Qualifications: BA, LLB (Sydney University), LLM (London University), GAICD
Louise has been CEO of the Sydney Opera House since 2012, after careers as a lawyer and corporate adviser. In her time as CEO, Louise has delivered a far-reaching Decade of Renewal to open the Opera House up to more of the community, with a broader, more diverse range of programming and other experiences to welcome more visitors in person and online.
Renewal included the largest and most transformative series of building works since the Opera House opened in 1973. The program, totalling more than $300 million, has touched all corners of the building and opened new spaces to the public – from the removal of vehicles on the Forecourt to the new Centre for Creativity and refurbishing the Concert Hall, as well as significant improvements for visitors with limited mobility.
The Opera House also recently completed its year-long 50th anniversary celebrations, involving a program of more than 230 special performances and activities for the whole community to celebrate the past, present and future of Australia’s favourite building. The 50th has been a launching pad for the Opera House’s ambition to be Everyone’s House.
Qualifications: BSc (University of Sydney), BComm (Macquarie University), Post Graduate Certificate, Business Practice (Kingston University, London)
Jade was appointed Chief Customer Officer in January 2022 to drive exceptional end-to-end customer experience and strategy spanning all customer touchpoints. As Chief Customer Officer, Jade is responsible for tour operations, ticketing, visitor services, access, retail and the Opera House’s award-winning bars and restaurants. She also leads marketing and communications for Australia’s most valuable brand.
Jade joined the Opera House in 2013 and has held several senior positions including General Manager, Tours and Retail, and Director, Visitor Experience. Previously, her 20-year career in tourism, attraction management and customer experience included roles as the General Manager, Sydney Aquarium and General Manager, Sydney Tower, before being appointed Head of Sydney Attractions for Merlin Entertainments Group where her responsibility broadened to include the management of six attractions drawing more than 2.5 million paid visitors annually.
Since 2014, Jade has served as a councillor on the Tourism Industry Council, is a founding member of the Sydney Visitor Collective, a member of the 24 Hour Economy Advisory Group (including Chair of the subgroup Consumer Habits and Audience Demands). In 2023, Jade was appointed to the inaugural Steering Committee for the World Class Public Service Disability Review.
Qualifications: BBus (Kuringgai CAE), Member Institute Chartered Accountants
Jon joined the Opera House in 2017. He is responsible for the finance, technology and private funding teams at the Opera House. Jon has more than 30 years’ global experience in the financial, property and professional services sectors. After starting his career at Price Waterhouse, he moved into financial services with senior roles at Macquarie Bank and was later CFO for Lloyds Bank businesses in Asia. Most recently, he was the global CFO at a family-owned global design and build services business.
