
My Cousin Frank A NORPA production, written and told by Rhoda Roberts AO
The powerful narrative of Australia’s first Aboriginal Olympian
Event details
Date | Time |
---|---|
Wednesday 3 December 2025 | 7:15pm |
Thursday 4 December 2025 | 7:15pm |
Friday 5 December 2025 | 7:15pm |
Saturday 6 December 2025 | 1:30pm* |
*This performance is Auslan interpreted, see accessibility tab below.
Ticket | Price |
---|---|
Standard | $59.90 |
Mezzanine Side View | $49.90 |
Concession* | $39.90 |
Groups 4+ | $49.90 |
*Concession applies to full time students and pension card holders
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 23 September 2025
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What’s On e-newsletter pre-sale
9am, Wednesday 24 September 2025
General Public tickets on-sale
9am, Friday 26 September 2025
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on +61 2 9250 7777 or by email.
Auslan Interpreted performance
Saturday 6 December 2025, 1:30pm
Experienced Auslan theatre interpreters stand to the side of the stage and translate what the actors are saying or singing into Auslan. A block of seats is reserved for users of this service to ensure a good view of the interpreter and the stage. Book Now
Event duration is a guide only and may be subject to change.
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Content Warning
This performance contains themes, stories, and historical truths that may be confronting, particularly for Aboriginal and Torres Strait Islander audiences. It may include references to racism, discrimination, and the impacts of past government policies on First Nations peoples.
Aboriginal and Torres Strait Islander audiences are advised that this performance may contain names, voices, and stories of people who have passed.
The AgeA remarkable feat of live storytelling…funny and charming while channelling a deep moral and human authority. Inspiring theatre.
of
Credits
Rhoda Roberts
Writer & Performer
Kirk Page
Director
Julian Louis
Associate Director
Karl Johnson
Lighting Design
Jahvis Loveday and Mic Gruchy
AV Design
Damian Robinson
Sound Design
Northern Rivers Performing Arts (NORPA)
Based in Lismore in Northern NSW, NORPA is a not-for-profit theatre company with a thirty-year track record of making original Australian work inspired by the country and culture around us. We make bold and vital theatre for everyone and are recognised for creating work at the intersection of community, place and popular theatre. NORPA supports artform and artist development, youth engagement, and is dedicated to supporting First Nations and Indigenous artists through residencies, workshops and new works about Bundjalung country.
Having lost our home and theatre in the 2022 Lismore Flood, we have spent the last two years focusing on creating and presenting original site-specific productions through partnerships with local businesses, aligned government agencies, and iconic locations.
NORPA holds an awarded track record for creating ambitious theatre works that attracts large audiences. These include Railway Wonderland (2012, 2015) set on a disused railway station, Dreamland (2016, 2019) presented in local halls, and Wildskin (2018, 2024) staged in a large rural shed. Flow (2019, 2023) was restaged as free, outdoor music concerts telling the dreaming story of Bundjalung and Yaegl people’s connection to water. Love For One Night was recognised by the Australian Performing Arts Centres peak body (PAC) winning an IMPACT Award in 2023 and gained national and local media coverage. NORPA bring homegrown stories to life in locations that prove small towns have big creative potential.
NORPA is led by Julian Louis (Artistic Director), Libby Lincoln (Executive Director) and our First Nations Creative Director is Rhoda Roberts AO.
Rhoda Roberts AO
Writer and Performer
Rhoda Roberts AO is a Widjabul Wia-bul woman of the Bundjalung Nation. She is an award-winning producer, artistic director, journalist, broadcaster, actor and arts advisor who continues to make a vital contribution to the media, performing and Indigenous arts in Australia. Amongst her many achievements Rhoda co-founded Australia’s first national Aboriginal theatre company, was the first Aboriginal presenter on prime-time TV, founded and directed the Festival of Dreaming and was Head of First Nations Programming for the Sydney Opera House. She was awarded an Order of Australia in 2016 for distinguished service to the performing arts. Rhoda is NORPA’s Creative Director of First Nations, Creative Director of the Parrtjima Festival in Alice Springs and Director of the Boomerang Festival.
Kirk Page
Director
Kirk Page is a Screen Practitioner, Theatre Maker, Movement Consultant, Choreographer and Director.
Widely acclaimed for his physical theatre, aerial and dance work, Kirk has appeared in Martin del Amo’s Slow Dances for Fast times. He also performed at the Catapult Festival for the Bathurst Regional Council, Ochres for Bangarra Dance Theatre, which toured Australia and internationally, A Midsummer Night's Dream for Opera Australia and performed numerous times for Legs on the Wall, in productions including Eora Crossing and Runners Up. In musical theatre, Kirk has appeared in Priscilla for Back Row Productions, The Sunshine Club for Sydney Theatre Company, Corrugation Road for Black Swan Theatre Company, Dreamland for NORPA and One Night the Moon for Malthouse Theatre.
On screen, Kirk played the lead in Bloodlines for SBS Films and the Australian Film Commission and also appeared in the film Shadow Play for Porchlight Films. He has also appeared in the ABC television series Redfern Now.
As a Movement Director, Kirk has worked in film, television and theatre. Having worked on the ABC's My Place and on feature film Bran Nue Dae, in 2006 he also choreographed the Indigenous section of the Melbourne Commonwealth Games My Skin, My Life. Kirk was also as Assistant Director for Bloodland and worked as an outside eye for Posts in the Paddock My Darling Patricia.
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Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
Location and access
Studio
The Studio is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.