Rinse
See Rinse and Triptych together and save. Book both for $47.50 per ticket + booking fee.
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Event details
| Date | Time | Notes |
|---|---|---|
| Thursday, 10 September 2026 | 7:00pm | |
| Friday, 11 September 2026 | 7:00pm |
Auslan Interpreted |
| Saturday, 12 September 2026 | 7:00pm |
| Ticket | Price |
|---|---|
| Standard | $59 |
| Concession | $49 |
| Groups 10+ | $45 |
Buy 2 Package | $47.50 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 16 June 2026
Become a Sydney Opera House Insider to receive exclusive pre-sale access
General Public tickets on-sale
9am, Wednesday 17 June 2026
Auslan Interpreted performance
Friday 11 September 2026 7:00pm
Experienced Auslan interpreters stand to the side of the stage and translate what the actors are saying or singing into Auslan. A block of seats is reserved for users of this service to ensure a good view of the interpreter and the stage. Book this performance.
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on 1300 764 849 or by email.
This performance contains strobe lighting and haze effects, loud sound, simulated blood, partial nudity, use of toy firearm, and some coarse language.
Recommended for ages 15+
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
The State of the Arts (UK)Moments of seriousness, moments of hilarity, moments of contemplation and tenderness, but it all felt beautifully deliberate.
About the artists
Amrita Hepi
Amrita Hepi (Bundjulung/Ngāpuhi) is a multidisciplinary artist & choreographer based in Naarm and Bangkok.
Her interest as an artist is in the idea of archive; particularly in relation to the body and how it is organised by ancestry, people, events and environment.
By coalescing fact and fiction, memoir and ethnography, the local and the singular into the performance/artwork she makes.
Amrita trained at NAISDA & Alvin Ailey NYC. A critically acclaimed artist she has twice been the winner of the people choice award for the Keir Choreographic Award, was a Forbes 30 under 30 for artist, and has shown and been commissioned nationally and internationally.
Amrita is a Triad member of performance company APHIDS, on the board of directors and artistic associate for RISING festival and part of the Artistic Associate group for STRUT dance. Her commitment to collaboration and kinship are key tenets to her
Mish Grigor
Mish is a performance maker, writer, and performer. She is Co-Artistic Director of APHIDS with Lara Thoms, and one-third of POST with Zoë Coombs Marr and Natalie Rose.
Mish enjoys connecting tangible everyday dilemmas with larger political and philosophical concepts using humour, facts and fiction. Her work is based in collaboration and thinking collectively to scrutinise the often unacknowledged pressures, delights and paradoxes of the performance situation.
Recent work includes directing at Festival d'Avignon, performing at Lincoln Center for Under the Radar Festival (NYC), a residency at the National Theatre (UK) and a Power Institute fellowship at Cité Internationale des Arts Paris.
Mish has presented her work at Sydney Theatre Company, Malthouse Theatre, Sydney Festival, Belvoir St Theatre, Art Gallery of South Australia/Adelaide Biennial, Artshouse, FTA Montreal, Performance Space, Brisbane Powerhouse, Darwin Festival, Brisbane Festival, PICA, Battersea Arts Centre (UK), Taipei Performing Arts Centre and La Mama (New York). She has also worked with Pan Pan Theatre (Ireland), Reckless Sleepers (Belgium) and Forest Fringe, amongst others.
Credits
Co-Writer, Choreographer and Performer Amrita Hepi
Co-Writer and Director Mish Grigor
Sound Design & Composer Daniel Jenatsch
Lighting Designer Matt Adey
Produced by Performing Lines
Rinse is supported by the Australian Government through Creative Australia, its arts investment and advisory body, the NSW Government through Create NSW and APHIDS. It was co-commissioned by Performance Space and the Keir Foundation. The project has been supported by Supercell: Festival of Contemporary Dance through the Makers Program, Carriageworks, Dancehouse and the Keir Foundation for the 2020 Keir Choreographic Award.
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Attending this event
Practical information about this event, ticketing and visiting. If you have questions or need help, see our general terms and conditions for tickets and events or contact us.
Ticket information
If you have further questions or need help, please refer to our General Terms and Conditions for Tickets and Events or contact a member of our team on 1300 SOH TIX.
A resale restriction is in place, meaning it is unlawful for a person to resell their ticket for more than 110% of the face value. In all cases, it is advisable that tickets are only purchased from authorised channels, to protect your rights should the event be cancelled or postponed and to be sure you receive all necessary communications.
The authorised agency for this event is the Sydney Opera House. Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies.
A booking fee of $8.95 applies per transaction. Prices are correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Children aged 15 years and under must be accompanied at all times. Babies aged 0-2 years old at the time of a performance may be seated on an adult’s lap. Children two years and older will need to hold a standard ticket.
Please contact Box Office on 1300 SOH TIX as soon as possible if you are unable to attend.
eTicket or postal delivery should be used wherever possible. Tickets will be emailed three days prior to the event. Download your e-Ticket and have it ready on your mobile device for scanning before you queue to enter the venue.
At the venue
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. All Sydney Opera House foyers are accessible, with lift access to the main and western foyers.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy. The Opera House has also developed a Child-friendly Code of Conduct to engage with our youngest visitors.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House is a smoke-free site. Read our Smoke-free Environment Policy.
The safety and security of patrons, visitors and staff is our highest priority. Entry to venues inside the Opera House including theatres, the Utzon Room, the Centre for Creativity and Bennelong Restaurant is via a single entry point located under the Monumental Steps.
In line with our venue security procedures, all ticketholders must present their bags and personal belongings for visual inspection or x-ray screening prior to entering the building.
We hope all our audience members, including those children with us, have a wonderful time. Please keep disturbances to a minimum. Ticketholders who interfere unreasonably with another’s enjoyment may be asked to leave.
If your child becomes unsettled during the performance, we ask that you step outside with them until they settle. Note that you may not be readmitted until there is a suitable break in the performance.
Filming and photography is not permitted inside the venue, unless expressly authorised by us. You must switch your mobile phone off or to silent while in the venue.
Refreshments are available to purchase from our theatre bars, with foyers open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances.
The Opera House has a range of restaurants and bars on site. Explore our venues.
Cloaking facilities will be open 60 minutes pre-show. It is strongly encouraged that you travel lightly. Larger items – including handbags bigger than A4-size, backpacks, umbrellas, suitcases and prams – are not permitted inside the venues and must be cloaked.
Yes, pram parking is available outside our theatres. All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers.
Foyer doors are usually open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 120 minutes pre-show for Western Foyer venue performances.
Theatre doors will open 30 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 15 minutes pre-show for Western Foyer venue performances.
If you’re collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts.
We’ll aim to seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat.
Where an event has a lock-out period, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
Location and access
Playhouse
The Playhouse is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.