For thousands of years, Tubowgule, the land on which the Opera House stands, has been a place of gathering and belonging. The Gadigal would meet on the tidal island, eat and share stories. The Opera House carries on this legacy by embracing and celebrating the culture of Australia’s First Peoples.
The Opera House’s Reconciliation Action Plan ["RAP"] commits to a range of actions and initiatives that aim to safeguard these traditions and adapting cultures for future generations. In 2011, the Opera House became the first performing arts organisation in Australia to launch a RAP. The inaugural RAP was developed to turn the Opera House’s commitment into a meaningful strategy for achieving its reconciliation vision.
Fostering and celebrating a shared sense of belonging for all Australians.
At its 40th Anniversary in 2013, the Opera House embarked on a Decade of Renewal. It includes not only major capital works to safeguard the building for future generations, but also work across the organisation to ensure a deeper, richer and more fulfilling experience for 21st century artists, audiences and visitors.
Our RAP is fundamental to achieving this vision. Our fourth RAP (2017-19) builds on the foundations established through our RAP journey and sets out a clear path to further embed reconciliation values across the full spectrum of what the Opera House offers, from art and experiences to education and employment.
"I get a warm feeling when I am walking to the Opera House. It’s such an inspiring place to work. I was regularly involved with activities here in high school, first the Deadly Awards and the Youth Advisory Committee, and then later the Indigenous Work Experience Program. I was really excited to be invited back recently to help facilitate that program."
You may also like...
Megan Washington and the SSO
22 Sep 2017 - 23 Sep 2017
Featuring new songs and favourites from Megan Washington's jazz, indie pop and alternative rock hits.
Carmen stamps her feet, tosses her hair and draws you into her world. Men fall instantly under her spell, and once you’ve heard her sultry Habanera, you’ll fall for opera’s favourite femme fatale, too.