
Calamity Jane
Legendary frontierswoman; notorious daredevil; profane storyteller; unwomanly radical
Event details
Please note: Virginia Gay plays Calamity Jane from Wednesday to Sunday. Billie Palin performs the role on Tuesdays, except on 14 October.
The appearance of any performer cannot be guaranteed as it is always subject to illness or other unavoidable circumstances.
Date | Time |
---|---|
Tuesday 14 October 2025 Preview | 7:00pm |
Wednesday 15 October 2025 Preview | 7:00pm |
Thursday 16 October 2025 Preview | 7:00pm |
Friday 17 October 2025 Preview | 7:00pm |
Saturday 18 October 2025 | 1:00pm |
Saturday 18 October 2025 | 7:00pm |
Sunday 19 October 2025 Opening Night | 6:30pm |
Tuesday 21 October 2025 Alternate Performance | 7:00pm |
Wednesday 22 October 2025 | 7:00pm |
Thursday 23 October 2025 | 7:00pm |
Friday 24 October 2025 | 7:00pm |
Saturday 25 October 2025 | 1:00pm |
Saturday 25 October 2025 | 7:00pm |
Sunday 26 October 2025 | 1:00pm |
Sunday 26 October 2025 | 6:30pm |
Tuesday 28 October 2025 Alternate Performance | 7:00pm |
Wednesday 29 October 2025 | 7:00pm |
Thursday 30 October 2025 | 7:00pm |
Friday 31 October 2025 | 7:00pm |
Saturday 1 November 2025 | 1:00pm |
Saturday 1 November 2025 | 7:00pm |
Sunday 2 November 2025 | 1:00pm |
Sunday 2 November 2025 | 6:30pm |
Tuesday 4 November 2025 Alternate Performance | 7:00pm |
Wednesday 5 November 2025 | 7:00pm |
Thursday 6 November 2025 Audio Described | 7:00pm |
Friday 7 November 2025 | 7:00pm |
Saturday 8 November 2025 | 1:00pm |
Saturday 8 November 2025 | 7:00pm |
Sunday 9 November 2025 | 1:00pm |
Sunday 9 November 2025 | 6:30pm |
Tuesday 11 November 2025 Alternate Performance | 7:00pm |
Wednesday 12 November 2025 | 7:00pm |
Thursday 13 November 2025 | 7:00pm |
Friday 14 November 2025 | 7:00pm |
Saturday 15 November 2025 | 1:00pm |
Saturday 15 November 2025 | 7:00pm |
Sunday 16 November 2025 | 1:00pm |
Sunday 16 November 2025 | 6:30pm |
Previews & Tuesday performances | Price |
---|---|
Premium Stage-side Saloon Tables | $124.90 |
A Reserve Saloon Tables | $104.90 |
A Reserve Fixed Seating | $104.90 |
B Reserve Saloon Tables | $89.90 |
B Reserve Fixed Seating & Stools | $89.90 |
C Reserve Stools | $69.90 |
All other performances | Price |
---|---|
Premium Stage-side Saloon Tables | $144.90 |
A Reserve Saloon Tables | $129.90 |
A Reserve Fixed Seating | $129.90 |
B Reserve Saloon Tables | $114.90 |
B Reserve Fixed Seating & Stools | $114.90 |
C Reserve Stools | $89.90 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 13 May 2025
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9am, Wednesday 14 May 2025
General Public tickets on-sale
9am, Friday 16 May 2025
For those requiring assistance, wheelchair or companion seating, accessible seating locations are available. Bookings can be made by calling the Box Office on +61 2 9250 7777 or by email.
To book any of the access performances below, call the Box Office on +61 2 9250 7777 or email us.
Audio Described performance
Thursday 6 November 2025 7:00pm
Audio description is a live commentary for people who are blind or have low vision of the visual elements of a performance which is relayed to the patron via a free headset and receiver linked to the FM radio system. A pre-show Tactile Tour allows hands on access to costumes, props and stage set in order to capture the atmosphere of the work. Book using the Audio Description price type.
This production contains mild adult themes, mild course language and theatrical haze.
Event duration is a guide only and may be subject to change.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
The AustralianA central performance as fine as any seen on our musical stage since, I don’t know, forever.
Theatre PeopleSublime... Gay’s portrayal is the stuff award-winning performances are made of.
Sunday TelegraphGay is sensational... She just about blows the roof off the theatre.
Gallery
of
About the artists
Virginia Gay graduated WAAPA, then spent four years pretending to be a nurse on All Saints, six months pretending to be a cop on Savage River (ABC, Paramount+), and five years on Winners & Losers, where she pretended to know a lot about high finance. That last one, particularly, was a stretch.
She recently starred in her adaptation of Cyrano, which had a sold-out season at Edinburgh Fringe 2024 and won a Fringe First for Best New Writing. The production transferred to London’s Park Theatre, where Virginia was nominated for an Offie – an Off West End Award – for Best Lead Actor for her performance. The show was previously a hit for Melbourne Theatre Company and Black Swan/Perth Festival 2022/23.
She won a Sydney Theatre Award for Best Actress for Calamity Jane, starred in the film Judy & Punch which premiered at Sundance, and wrote and directed her short film Paper Cut, which made Tropfest finals.
She’s an absolute nightmare in Colin From Accounts (S2), chewed up the scenery on Thank God You’re Here, was a grand finalist on Dancing With The Stars, and was nominated for a Logie for Most Outstanding Supporting Actress for After The Verdict. Virginia is also the 2024/2025 Artistic Director for the Adelaide Cabaret Festival.
She wrote and co-directed The Boomkak Panto for Belvoir, and is currently working on a new play for Windmill Theatre, Mama Does Derby. Her script for Cyrano is published nationally by Currency Press and internationally by Nick Hern Books.

Kaya (he/him) is a graduate of the Victorian College of the Arts and is an actor, musician, and singer/songwriter.
He most recently appeared as Jimmy Ray in the Hayes Theatre season of Bright Star (Sport for Jove). Previous theatre credits include A Christmas Carol (GWB), A Streetcar Named Desire (MTC), Groundhog Day: The Musical (GWB), Come From Away (Newtheatricals), Chess (Storyboard Entertainment), HOSH: West Side Story (Opera Australia), Lazarus and Ragtime (The Production Company), Ring! Ring! and The House on Fire at the Edge of the World (Fringe Replanted), The Wind in the Willows (ASC), and Gilligan’s Island: The Musical (Left Bauer Productions).
Screen credits include the short films The Tide and My Straight Mate, and advertising campaigns for OpenTable, Heinz and NAB. He has also narrated both fiction and non-fiction books for children and adults with Bolinda Audio.
An instrumentalist and composer, Kaya released his debut EP Belladonna/Supernova in early 2025, alongside music videos for his singles Stasis and Flying Into The Sun.
He's looking forward to making his Sydney Opera House debut alongside such wonderful actors, musicians and creatives.

Andrew Cutcliffe is a versatile actor with fifteen years of experience across stage and screen. A graduate of the Ensemble Acting Studios, he is about to hit the stage in Betrayal for Sport for Jove at the Old Fitz; has worked with many of Sydney’s leading theatre companies, most recently as Henry V in Sport for Jove’s critically acclaimed The Player Kings and in Hayes Theatre Co.’s Women on the Verge of a Nervous Breakdown.
Other notable theatre credits include Karim (National Theatre of Parramatta), The Dismissal (Squabbalogic), Caroline, or Change, Darlinghurst Nights and Melba (Hayes Theatre Co.), as well as Face to Face and Girl, Interrupted (Ensemble Theatre).
On screen, Andrew recently starred in the second season of Last King of the Cross (Paramount+) and the Stan original series Critical Incident. His other television includes The Secrets She Keeps, Amazing Grace, Lambs of God, Reef Break, Hyde & Seek, Wonderland, Home & Away and Underbelly.
A prolific voice artist, he’s lent his talents to animations, commercials, and television shows. Expanding his creative horizons, Andrew made his directorial debut with the short film Hero, currently touring the global festival circuit.

Victoria Falconer (she/her) is a theatremaker, music director, and cabaret artist. She is Co-Artistic Director of Hayes Theatre Co alongside Richard Carroll, and the recipient of the 2024 Arts & Culture Asian-Australian Leadership Award.
Music direction highlights include Hedwig & The Angry Inch (GWB), My Brilliant Career (Melbourne Theatre Company), In The Heights (Sydney Opera House), Ride The Cyclone (Hayes Theatre Co), M’ap Boulé (Performing Lines), and Oklahoma (Black Swan State Theatre).
Recent work as lead creative and performer includes Smashed: The Nightcap (Sydney Festival/Auckland Arts Festival), The Sight (Dark Mofo), and The Vali Myers Project (Adelaide Cabaret Festival, Frank Ford Commission winner).
Victoria has performed on cabaret stages across the globe, including Soho Theatre London, Club Cumming NYC, Edinburgh Fringe, Glastonbury, Sydney Mardi Gras, and Bi Pride UK. Her accolades include two Best Cabaret awards (Adelaide Fringe), a Green Room Award, and multiple Sydney Theatre Award nominations for musical direction.

Kala Gare (She/Her) is a Melbourne/Naarm-based performer who graduated in 2017 from the Victorian College of the Arts with a Bachelor of Fine Arts.
Kala has since performed in roles such as Sophie de Palma in Andrew Kay’s production of Masterclass; Maureen in Rent; Olivia in Twelfth Night; Alice in Steve Martin and Edie Brickell’s musical Bright Star; Anne Boleyn in the original Australian cast production of Six; Sonya in Natasha, Pierre & the Great Comet of 1812; Marcus in Murder For Two at the Hayes Theatre; and more recently, she originated the role of Sybylla Melvyn in Melbourne Theatre Company’s My Brilliant Career.
Kala is currently performing in the Hayes Theatre Company’s production of Being Alive: The Music of Stephen Sondheim.
She is also a singer/songwriter and has performed solo shows of her original work to audiences around Australia. She has recently released her debut EP Closer to Home, which is available to stream anywhere you get music.

Ryan Gonzalez is a true triple threat performer with a career spanning cabaret, film, and theatre.
Most recently, they originated the role of Dave in the world premiere of Zombie! The Musical after starring as Santiago in Moulin Rouge! The Musical. Ryan’s performance as Usnavi in 2018 earned them the Sydney Theatre Award for Best Actor. In 2019, they starred as Frankie Valli in the national tour of the international blockbuster Jersey Boys, receiving a Green Room Award nomination.
Theatre credits include: Roy in Fun Home, Gabriel in Kiss of the Spiderwoman, Freddy in The View Upstairs, Charles Guiteau in Assassins, Eddie Ryan in Funny Girl in Concert, ¡Hispanic Attack!, Velvet Rewired, Kinky Boots, Strictly Ballroom the Musical, King Kong Live on Stage, Legally Blonde and Violet.
Film: motion capture artist in Happy Feet Two (directed by George Miller) and The Great Gatsby (directed by Baz Luhrmann).
Albums: Dubbo Championship Wrestling and Zombie! The Musical Original Cast Recording.

Phillip’s impressive career began in 1995 after completing his studies at W.A.A.P.A. and includes: Come From Away (Nick), Georgy Girl (Keith), Dirty Rotten Scoundrels, Mary Poppins (Northbrook), Eurobeat (UK), The Producers (Mr Marks/Kevin), The Sunshine Club (Peter), Showboat (Frank u/s), Cabaret and Crazy For You.
In 2017, Phillip was nominated for a Sydney Theatre Award for his portrayal of Edward Bloom in Big Fish and in 2018 was nominated for a Green Room Award for the role of Harry Bright in Mamma Mia.
During the Covid lockdown, Phillip played the role of Tyler Nelson in the world’s first live-streamed musical season of Who’s Your Baghdaddy.
On television, Phillip has been seen in Crownies, All Saints, Anzac Girls, Australia; The Story of Us, Blonde, Home and Away and the big screen has seen him in roles in Black and White, The Honourable Wally Norman and Thank God He Met Lizzie.

Calamity Jane at Tuesday night performances.
Originally from Dubbo, Billie began her vocal training at the Macquarie Conservatorium and went on to complete a Bachelor of Music at the Australian Institute of Music.
Billie’s credits include HMS Pinafore (Ralph Rackstraw), Godspell (Jesus) and swing for both Dubbo Championship Wrestling and Jekyll & Hyde for The Hayes Theatre Company, The Lovers Workshop for Bell Shakespeare, On a Clear Day You Can See Forever (Muriel & Mrs Hatch) for Squabbalogic, A Christmas Carol for Ensemble Theatre, Once Darlinghurst Theatre Company, Ratburger (Sheila/Tina) and RENT for LPD Productions. Most recently she appeared in Pirates of Penzance with Hayes Theatre.
Her powerhouse voice saw Billie crowned the 2019 winner of the Sydney Cabaret Competition with her cabaret "From Dubbo to Death".

Tyran Stig, originally from the coastal town of Newcastle, has studied with Rachelle Schmidt of The Voice Studio, Renae Perry of Tap Dogs, and most memorably, Kristin Chenoweth.
Tyran made his professional theatre debut as Ross in the Australian tour of Friends: The Musical Parody! (SK Entertainment), as well as his screen debut in STAN/NBC Universal’s Joe Vs. Carole. He played Professor Bhaer in Joshua Robson’s production of Little Women at the Hayes Theatre and was most recently seen in Titanique (Michael Cassel Group), covering the roles of Jack, Cal, Ruth, Victor and Iceberg.
Other credits include: Swing in The 25th Annual Putnam County Spelling Bee (September Remedy Productions/Hayes Theatre), Robert Martin in The Drowsy Chaperone (High Street Productions), Laurence in In A Pink Tutu (dir. Callan Purcell), and Seymour in The Little Shop of Horrors (Pantsuit Productions).

Creatives and credits
Director
Richard Carroll
Musical Director
Nigel Ubrihien
Choreographer
Cameron Mitchell
Designer
Lauren Peters
Lighting Designer
Trent Suidgeest
Associate Lighting Designer
Ryan McDonald
Produced by One Eyed Man Productions in association with Neglected Musicals and Hayes Theatre Co
Producer
Richard Carroll
Associate Producer
Michelle Guthrie
Assistant Producer
Virginia Gay
Director of Production
Jack Daniel Woods
Set Build
Iceworks
Assistant Director
Dash Kruck
Promotional Photography
Harvey House Photography
Original Production Photography
John McRae and Jeff Busby
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Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
You may bring drinks into the venue to enjoy during the performance. Hot beverages, red wine, glassware and food however cannot be brought in due to safety and to help maintain the character of the building. Thank you for your understanding.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
Location and access
Studio
The Studio is located in the north-western corner of Sydney Opera House, best accessed through the Western Foyers.