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  • Three moves in the right direction

    Thinking about how we eat can help fix our food system.

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  • Father & Son: Marcel & Rami Khalifé

    Composer, oud master and performer, Marcel Khalifé, shares a special bond with his son, piano virtuoso Rami Khalifé. Discover the father-son relationship behind the incredible musical duo.

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    Two men playing grand piano and a guitar.

  • Utzon departs the House

    As the sails took shape, Bennelong Point became a battle ground of politics, pragmatism and the quest for perfection.

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  • 50 extraordinary ACO moments at the Sydney Opera House

    • Classical Music

    Take a look back at 50 of our favourite ACO moments, inside and outside the House.

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  • The story of Badu Gili

    Meet the Indigenous artists bringing First Nations cultures to the world.

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    A woman in a white jacket against a textured colorful visual projected onto the Sydney Opera House's sails, smiling.

  • Preserving the Grand Organ

    Each of the 10,244 pipes will be cleaned by hand – it's a tricky job.

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  • Echoes by the Water: An Acoustic Night with Matt Gresham

    Utzon Room

    13 Sep 2025

    • Contemporary Music

    Experience an intimate acoustic evening with Matt Gresham at the iconic Sydney Opera House. Enjoy heartfelt performances and personal stories in this unique and memorable setting.

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  • In it for the long Hall

    The Opera House’s biggest venue has been closed for two years, yet behind its shuttered doors the beat goes on. The hum of thousands of excited concert-goers has been replaced with the buzz of thousands of workers, busy future-proofing the venue for decades to come.

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  • Surfing at the Opera House: An Unexpected History

    • Cinema

    Discover the hidden origins of Cinema at the Opera House and its connection with countercultural surf films.

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  • Testing the Concert Hall’s acoustic reflectors

    Try this experiment at home. Record a conversation on your smartphone and then play the recording back to yourself. Notice what’s different? The sound in the recording seems fuller and more textured than the real thing. It seems counter-intuitive. Nothing should beat a live performance. So why does the recording sound so different?

    Long read