George Gershwin’sAn American in Paris
17 & 18 October 2024
In the Concert Hall
Classical Music
The Roaring Twenties was a time of heady optimism in Paris. That joyous cross-pollination is immediately evident in these works by Gershwin, Stravinsky and Ravel.
| Date | Time |
| Thursday 17 October 2024 | 7pm |
| Friday 18 October 2024 | 11am |
Friday Morning Performance
| Standard | Price |
|---|---|
| Premium | $85 |
| A Reserve | $77 |
| B Reserve | $66 |
| C Reserve | $50 |
| D Reserve | $45 |
Thursday Evening Performance
| Standard | Price |
|---|---|
| A Reserve | $59 |
| Australian Pensioner | Price |
|---|---|
| A Reserve | $44 |
| Under 18 Child | Price |
|---|---|
| A Reserve | $35 |
| Australian Student | Price |
|---|---|
| A Reserve | $41 |
| Under 35 | Price |
|---|---|
| A Reserve | $50 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection. Children aged 15 years and under must be accompanied at all times.
The authorised agencies for this event are Sydney Opera House and Sydney Symphony Orchestra. For more information about Authorised Agencies, see the frequently asked questions below.
General Public tickets on-sale
10am, Thursday 9 November 2023
Wheelchair accessible
There are a number of wheelchair and companion seating locations available.
To book accessible seating contact Box Office via email or telephone on:
+61 2 9250 7777 (Monday to Friday, 9am-5pm AEST)
Find out more about accessibility at Sydney Opera House
Run time
This performance will run for approximately 1 hour.
Age
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Useful information:
The Roaring Twenties
Gershwin brought the Jazz Age to the concert hall with An American in Paris. From its audacious opening to its explosive tunes, this is music that recreates the lively spirit of Paris, from its dance halls to its streets.
Ravel's Piano Concerto for the Left Hand features similarly jazzy rhythms, demanding enormous virtuosity from the pianist. In Konstantin Shamray we have one of Australia's finest, and he brings his 'rich, colourful palate of sound' (Limelight) to this extraordinary work.
Stravinsky's Pulcinella sees the composer looking back to more classical times. His trademark ingenuity shines through in the contrasts of instrumental voices, creating a work that feels familiar and excitingly new.
Presented by Sydney Symphony Orchestra
Programme
STRAVINSKY Pulcinella: Suite
RAVEL Piano Concerto for the Left Hand
GERSHWIN An American in Paris
Artist information
Umberto Clerici conductor & presenter
Konstantin Shamray piano
Season 2024
Sydney Symphony Orchestra
Join Chief Conductor Simone Young and a dazzling roster of guest artists in performances that unleash the power of music that is totally alive.
Every Sydney Symphony performance is unique. Each is an opportunity to experience a musical story as it unfolds around you. Make those moments yours.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Sa Chen
16 Feb 2025
The youngest Jury Member of the 18th Chopin International Piano Competition is making her highly anticipated Australian debut in 2025. After winning major prizes at top International Piano Competitions such as Leeds, Chopin and Cliburn, Sa has now performed with prestigious orchestras around the world.
Max Richter
14 & 15 Feb 2025
Performing a groundbreaking new suite of music, post-minimalist master Max Richter returns to Australia for two shows with the American Contemporary Music Ensemble.
Phoenix Collective
2 Mar 2025
Join Phoenix Collective for a compelling program of contrasts, with Mozart and Shostakovich’s classic works for string quartet juxtaposed with contemporary music from Emma Greenhill and Giovanni Sollima.
