Ki 氣 Dance Festival - Forum
What is the colour of your movement?
Event details
| Date | Time |
|---|---|
| Sunday 24 May 2026 | 10:00am |
| Ticket | Price |
|---|---|
| Standard | $10 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 27 January 2026
Become a Sydney Opera House Insider to receive exclusive pre-sale access
General Public tickets on-sale
9am, Wednesday 28 January 2026
A social story provides information about what to expect when attending a venue or show. It has short descriptions with images. See the Centre for Creativity Social Story.
For any special access requirements phone the Contact Centre on 02 9250 7777 or email bookings@sydneyoperahouse.com.
Event duration is a guide only and may be subject to change.
Chaedo
A Seoul-based dancer and director who combines street dance and contemporary movement into a distinctive choreographic style. His work utilises isolation techniques and inventive spatial angles, creating a genre-transcending language. A graduate of Baekje University of the Arts, he has seven years of professional experience teaching freestyle dance and choreography. Chaedo is the leader of the Palette Art Crew, hosting jam sessions, showcases, and battles to promote respect and artistic exchange across dance scenes in South Korea and Australia. As a performer, he received recognition at the prestigious Body Rock Dance Competition. Notably, he served as the choreographer for the 105th National Sports Festival Opening Performance with 160 dancers and performed for the LG Arts Center Opening under Kim Seol-jin.
MaggZ
An award-winning movement artist, choreographer, educator, and creative director of Chinese-minority descent, MaggZ is trained in ballet and now specialises in w_acking—a freestyle dance originating in 1970s Los Angeles from the Latinx and African American queer community, characterised predominantly by arm movements. Rooted at the intersection of street dance, site-specific installation, and technology, and extending into somatic and relational research, community-building, and sustainability, MaggZ’s practice is hybrid, timeless, visceral, and unapologetic as they continually outbox themselves. In 2024, MaggZ founded (nexus), an experimental movement experience cultivating infrastructures that support innovation, experimentalism, and discovery across the creative community. MaggZ was appointed Young Artistic Directorate at Next Wave in 2023 (Melbourne, Australia), Producer in Residence in 2022 (Melbourne, Australia), and producer/performance art consultant at Collide24 in 2022 (Berlin, Germany), and is the recipient of the Young Creative Awards (2020) with four nominations from the Green Room Awards.
ooshcon
Embedded in love and devoted to flow, ooshcon is a Samoan theatre maker who specialises in free-body methodologies, with the core belief ‘ina ia sosolo le alofa / so love may flow’ guiding their evolving practice and way of being as a compass that ensures all words, actions, and work emerge from or move towards alofa (love). ooshcon’s work is grounded in and activated through the forms and philosophies of Waving Dance culture, Krump Dance culture, Physical Theatre, Animation Dance, Geometric Dance, breath-work, and character/entity-building, which they embrace with emotional rigour and innovative theatrical practices in pursuit of ‘formlessness’. Alongside collaborating artists, ooshcon is one of the creative directors of CONJAH, a collective that kit-bashes genres to create political and meaningful theatrical experiences.
REINS
As a Japanese-Australian dance artist, REINS’ practice spans experimental choreography, education, and curation, deeply rooted in her “third culture kid” upbringing across Japan, India, Thailand, and Australia, and drawing on intergenerational knowledge to navigate diasporic experiences. Her movement practice is shaped by contemporary dance enmeshed with Japanese somatic training—ideas of old ways and new waves, 間 (ma) as concepts of in-between-ness, and the practice of “labbing”—alongside a philosophy of training anywhere, anytime, which is central to her life in regional South Coast NSW and to sustaining practice in regional communities more broadly. By blending street forms with her background in contemporary dance, ballet, and surfing, REINS facilitates raw, instinctive expression and views these movement styles as manifestations of life-giving power, fostering cultural exchange and collective connection through movement.
Thv Flood
Maxwell "Thv Flood" Douglas, is a multidisciplinary artist and originator of local Australian dance style, Flood. Representing the city of Ipswich, ThvFlood has been active in underground Australian street culture for over a decade, through street dance, beatmaking, theatre and community development in the neighbourhoods. ThvFlood has won 20+ battles in Australia, including winning Australia's biggest battle Destructive Steps in 2022, with placings internationally, along with being a workshop facilitator all over Australia and overseas.
* Flood is an artform of music and dance that is a response to the flood plains of Ipswich, Australia. Flood dance is characterised by its extruded and distorted shape
Palette Session
Palette Session is a cross-cultural dance collective in Seoul and Sydney providing spaces for dancers from all backgrounds to experiment, connect and grow creatively.
Rooted in street dance culture, Palette Session runs freestyle dance workshops, jam sessions and dance battles which gather diverse dance communities into a collaborative, inclusive space.
We have run 200 events for 780 dancers drawing from practices in hip hop, breaking, punking/w_acking, house, vogue femme, Pangalay, Bodyweather, Bharatanatyam, Japanese cultural dance, somatic practice, contact improvisation and more.
22 - 24 May 2026
Ki 氣 Dance Festival - Masterclass
This experimental dance festival invites dancers across Australia and the Asia-Pacific to discover the unique colour of their movement. Ki involves a dance battle, jam session, masterclass series and a talk with experimental dance leaders across the Asia-Pacific.
Ki is for movers of all styles and experience levels – from Waving dance, Animation dance, character/entity building, w*acking, krump, isolation, contemporary dance, ballet, Japanese somatic training, surfing, physical theatre, Flood dance, and more.
You may also like
Attending this event
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a 7-10 minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
Location and access
Centre for Creativity
The Centre for Creativity is located at the end of the Western Foyers, next to the Drama Theatre. Best accessed through the Western Foyers entry.
All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).