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  • The Purity of Geometry

    • On-demand

    Did you know that the Opera House was almost never built? Maths solved the problem! Find out how geometry and Utzon’s ‘Spherical Solution’ resolved the construction dilemma that the unique design of the arched sails caused with Eddie Woo and Peter Mould, former NSW Government Architect.

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  • The story of Badu Gili

    Meet the Indigenous artists bringing First Nations cultures to the world.

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    A woman in a white jacket against a textured colorful visual projected onto the Sydney Opera House's sails, smiling.

  • Lunar New Year

    Celebrate the Year of the Snake with plenty to see and do at the Opera House this Lunar New Year.

  • Returning

    A digital contemporary art project.

  • Casula High School: Concealer

    • On-demand

    Concealer is a deep dive into the impacts of beauty on Australian young people today. Artist, Film maker and theatre maker Curly Fernandez worked with Year 9 drama students from Casula High as they responded to Rethinking Beauty, a talk from the All About Women festival in March 2020.

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  • Stream, read & listen

    Stream, read and listen to performances and events from the comfort of your own home with our digital platform.

  • Opera Australia: The Marriage of Figaro - Sydney Opera House (2010)

    • On-demand

    A chaotic whirlwind of mistaken identities makes the wedding day of Figaro and Susanna a lesson in hilarity in this 2010 production, directed by Neil Armfield.

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  • Learning resources

    Extend creativity learning in the classroom prior to and post your on-site excursion.

    A group of children sitting inside a classroom.

  • Serwah Attafuah x Soft Centre | Apotheosis (2021)

    • Dance
    • Film
    • On-demand

    A real-time motion capture performance, in which movement artist Lydia Kivela explores a hyper-real 3D environment created by Serwah Attafuah, accompanied by an original score, performed live, by ptwiggs. Inspired by the glaring neon ambience of Spring Breakers and cyberpunk, Apotheosis ushers audiences through a hallucinogenic dreamscape populated by demons, abandoned Western Sydney landmarks and NPC doomers.

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  • “Rebirth and resurrection”

    Who better to help reopen the heart of the Opera House than William Barton? The celebrated Kalkadunga musician estimates he has played the venue over 300 times. This week, with clapsticks made from wood salvaged from the stage, he'll perform with the Sydney Symphony Orchestra in a triumphant return to the Concert Hall.

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