Beethoven’s Septet
30 & 31 August 2024
In the Utzon Room
Classical Music
Beethoven's Septet was one of his most successful early works, an instant hit that found its way into the drawing rooms of the Viennese public.
| Date | Time |
| Friday 30 August 2024 | 6pm |
| Saturday 31 August 2024 | 6pm |
General Public tickets on-sale
10am, Thursday 9 November 2023
In English
Wheelchair accessible
There are a number of wheelchair and companion seating locations available.
To book accessible seating contact Box Office via email or telephone on:
+61 2 9250 7777 (Monday to Friday, 9am-5pm AEST)
Find out more about accessibility at Sydney Opera House
Run time
This performance will run for approximately 1 hour.
Age
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
| Standard | Price |
|---|---|
| A Reserve | $90 |
| Australian Pensioner | Price |
|---|---|
| A Reserve | $81 |
| Under 18 Child | Price |
|---|---|
| A Reserve | $54 |
| Australian Student | Price |
|---|---|
| A Reserve | $63 |
| Under 35 | Price |
|---|---|
| A Reserve | $77 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection. Children aged 15 years and under must be accompanied at all times.
The authorised agencies for this event are Sydney Opera House and Sydney Symphony Orchestra. For more information about Authorised Agencies, see the frequently asked questions below.
Useful information:
Richness and depth
With its breezy air, six short, characterful movements, and ample opportunity for individual solos, it was understandably a popular party piece. And in the expert hands of the Sydney Symphony's musicians, we can experience all the delights it has to offer.
Although Anton Webern is best known for his later atonal works, his early music is steeped in the richness of the late 19th century. His Langsamer Satz (Slow Movement) was written for a proposed string quartet and was inspired by a holiday in the mountains outside of Vienna with his future wife. All of that emotion spills out in this highly charged work, from romantic yearning to emotional turmoil before, finally, a peaceful resolution.
Presented by Sydney Symphony Orchestra
Programme
WEBERN Langsamer Satz
BEETHOVEN Septet
Artist information
Musicians of the Sydney Symphony Orchestra
Season 2024
Sydney Symphony Orchestra
Join Chief Conductor Simone Young and a dazzling roster of guest artists in performances that unleash the power of music that is totally alive.
Every Sydney Symphony performance is unique. Each is an opportunity to experience a musical story as it unfolds around you. Make those moments yours.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Simone Young conducts Siegfried
13 & 16 Nov 2025
Wagner’s Ring Cycle is one of the great achievements in Western art. At its beating heart – packed with passion, violence, rage, betrayal and tragedy – sits the sprawling legend of Siegfried. Starring a world-class cast of singers, including internationally acclaimed Simon O’Neill in the title role, this third instalment in the Sydney Symphony Orchestra's Ring Cycle in concert is a once-in a-generation event.
The Tallis Scholars
12 Oct 2025
Award-winning British vocal ensemble, The Tallis Scholars return to the Sydney Opera House for the first time in over two decades with an unmissable program inspired by the timeless beauty of Gregorian chant. The Tallis Scholars are renowned for their stunning cappella performances and exquisite recordings of sacred vocal music. The choir first sang at the Sydney Opera House in 1985, 40 years ago, and has returned five times since.
Celebrating the Australian Chamber Orchestra
21 Nov 2025
On the 21 November 1975, a group of pioneering musicians walked out onto the Sydney Opera House Concert Hall stage and the Australian Chamber Orchestra was born. Founded by the legendary Australian cellist John Painter, these musicians were driven by a shared mission to take control of their musical destinies: to become the country’s first truly national orchestra with an uncompromising commitment to elite performance, to represent Australia on the world stage, and provide opportunities to the country’s brightest young string players.
