Singapore Symphony Orchestra perform Brahms, Tchaikovsky and a new work by Koh Cheng Jin
12 February 2025
In the Concert Hall
Classical Music
Led by visionary musical director Hans Graf, and featuring performances by teen violin prodigy Chloe Chua and cellist Ng Pei-Sian, the Singapore Symphony Orchestra makes their highly anticipated Australian debut.
Date | Time |
Wednesday 12 February 2025 | 7:00pm |
Early bird ticket (until 11:59pm 14 July) | Price |
Premium | $160.65 |
A Reserve | $135.15 |
B Reserve | $109.65 |
C Reserve | $99 |
D Reserve | $69 |
Standard ticket (from 15 July) | Price |
Premium | $189 |
A Reserve | $159 |
B Reserve | $129 |
C Reserve | $99 |
D Reserve | $69 |
Concession ticket | Price |
A Reserve | $128.79 |
B Reserve | $104.49 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
Tuesday 25 June 2024, 9am
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
Wednesday 26 June 2024, 9am
General Public tickets on-sale
Friday 28 June 2024, 9am
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Run time
The duration of this event is approximately 110 minutes, including a 20 minute interval.
Event duration is a guide only and may be subject to change.
Age
Suitable for all ages, recommended for ages 15+
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
The Straits TimesA brave new world of music-making under inspired direction.
Useful information:
Singapore’s flagship orchestra makes its spectacular Australian debut
Making their long-awaited Australian debut, the internationally acclaimed Singapore Symphony Orchestra are joined by 17-year-old violin sensation Chloe Chua for a spectacular performance in the Sydney Opera House Concert Hall. Conducted by artistic director Hans Graf and featuring Australian-born principal cellist Ng Pei-Sian, the SSO will perform Brahms’s final orchestral work, the 1887 Double Concerto for Violin and Cello, Tchaikovsky’s towering fifth symphony, and Luciola singapura, a shimmering new work by young Singaporean composer Koh Cheng Jin.
Singapore Symphony Orchestra
The heartbeat of Singapore’s cultural scene and its flagship orchestra, the SSO has been dazzling audiences since 1979, bridging the classical traditions of the East and West and developing an international reputation for its musical virtuosity. In 2022, the BBC named the SSO as one of the best orchestras in the world.
The orchestra is currently led by Grammy Award-winning Austrian conductor Hans Graf, an artistic visionary renowned for his spirit of musical curiosity, creative programming and commanding stage presence. Graf has served as Music Director of the Houston Symphony, Calgary Philharmonic, Orchestre National Bordeaux Aquitaine, Basque National Orchestra and Mozarteum Orchestra Salzburg.
Chloe Chua
One of the world’s most gifted young musicians, teenage violin prodigy Chloe Chua has captured the hearts of audiences around the globe since winning the prestigious Menuhin Competition in 2018 – when she was just 11. Chua has been the Artist in Residence with the Singapore Symphony Orchestra since 2022. Her 2023 debut album, a recording of Vivaldi's Four Seasons and Locatelli’s Harmonic Labyrinth, has drawn more than 1.6 million streams on Spotify.
Ng Pei-Sian
Sydney-born musician Ng Pei-Sian is the star cellist of the Singapore Symphony Orchestra. He was named Commonwealth Musician of the Year in 2007, won the Gold Medal and First Prize at the 55th Royal Overseas League Music Competition, and has performed concertos with orchestras across Australia, Asia and Europe. Ng has performed with Yo-Yo Ma and the Silk Road Ensemble, Cho-Liang Lin, Renaud Capuçon and Oscar winner Tan Dun.
Koh Cheng Jin
Multi-award-winning Singaporean composer and Yangqin performer Koh Cheng Jin creates eclectic, spiritual music that transcends cultural boundaries and revels in imaginative storytelling. Her work has been commissioned by the Singapore Symphony Orchestra, the New York State Council on the Arts, and the Smithsonian National Museum of Asian Art. Named for a rediscovered species of firefly, her ingenious composition Luciola singapura is a vivid musical portrayal of bioluminescence.
The Sydney Opera House acknowledges the generous support of our donor, Dr Eileen Ong.
Presented by Sydney Opera House
Program
BRAHMS
Concerto for Violin & Cello in A minor, Op. 102
TCHAIKOVSKY
Symphony No. 5 in E minor, Op. 64
KOH CHENG JIN
Luciola singapura
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Sa Chen
16 Feb 2025
The youngest Jury Member of the 18th Chopin International Piano Competition is making her highly anticipated Australian debut in 2025. After winning major prizes at top International Piano Competitions such as Leeds, Chopin and Cliburn, Sa has now performed with prestigious orchestras around the world.
Max Richter
14 & 15 Feb 2025
Performing a groundbreaking new suite of music, post-minimalist master Max Richter returns to Australia for two shows with the American Contemporary Music Ensemble.
Phoenix Collective
2 Mar 2025
Join Phoenix Collective for a compelling program of contrasts, with Mozart and Shostakovich’s classic works for string quartet juxtaposed with contemporary music from Emma Greenhill and Giovanni Sollima.