Mendelssohn’s Octet
12 - 13 April 2024
Join the string musicians of the Sydney Symphony for a truly sparkling evening of music in the Sydney Opera House Utzon Room.
|
Date |
Time |
|
Friday 12 April 2024 |
6pm |
|
Saturday 13 April 2024 |
6pm |
General Public tickets on-sale
10am, Thursday 9 November 2023
Wheelchair accessible
Find out more about accessibility at Sydney Opera House
Run time
This performance will run for approximately 1 hour.
Age
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
|
Standard |
Price |
|---|---|
|
A Reserve |
$90 |
|
Australian Pensioner |
Price |
|---|---|
|
A Reserve |
$81 |
|
Under 18 Child |
Price |
|---|---|
|
A Reserve |
$54 |
|
Australian Student |
Price |
|---|---|
|
A Reserve |
$63 |
|
Under 35 |
Price |
|---|---|
|
A Reserve |
$77 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection. Children aged 15 years and under must be accompanied at all times.
The authorised agencies for this event are Sydney Opera House and Sydney Symphony Orchestra. For more information about Authorised Agencies, see the frequently asked questions below.
Sparkling strings
When 16-year-old Felix Mendelssohn completed his Octet in 1825, the prodigious young composer created a whole new genre of chamber music.
Unfolding over 30 completely captivating minutes, the work for four violins, two violas and two cellos was the first of its kind – and 200 years on, it has rarely been bettered.
A work of extraordinary invention and meticulous string writing, the Octet calls on every imaginable combination of voices possible from just eight string players. One critic summed it up when he wrote, 'Its youthful verve, brilliance and perfection make it one of the miracles of nineteenth-century music.'
A century earlier, Georg Philipp Telemann was an important link between the late Baroque and early Classical styles, and a major influence on Mendelssohn. His concertos for four solo violins are exquisite works, the strings weaving and dancing around each other with great verve and energy. It's not hard to imagine Mendelssohn taking inspiration from these intricate delights.
Presented by Sydney Symphony Orchestra
Programme
TELEMANN Concerto for Four Violins
MENDELSSOHN Octet
Artist information
Musicians of the Sydney Symphony Orchestra
Sydney Symphony Orchestra
Join Chief Conductor Simone Young and a dazzling roster of guest artists in performances that unleash the power of music that is totally alive.
Every Sydney Symphony performance is unique. Each is an opportunity to experience a musical story as it unfolds around you. Make those moments yours.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars. Please remember to maintain physical distancing whilst consuming drinks in our foyers.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer consistent with COVID-safe rules.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see their website for details.
Please check the Transport NSW website for the latest advice and information on travel and COVID-19 safety measures. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We encourage you to wear a mask in indoor settings or when physical distancing can’t be maintained, and please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
Nothing is more important to us than the health and safety of everyone on site, and we are closely following NSW Health guidelines and advice. The Sydney Opera House is registered as a COVID Safe business with the NSW Government. For detailed information about our COVID-19 safety measures and what’s required of you when visiting, please see our plan your visit page.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
As you move around the Opera House, practise physical distancing (1.5 metres whenever possible) and follow the guidance provided by our staff and signage.
Within venues, always take your allocated seat.
For detailed information about our COVID-19 safety measures and what’s required of you, please see our plan your visit page.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Face masks are strongly recommended for all patrons while inside our theatres and foyers, including during the performance. Please bring your own mask.
Contact information is required when making a booking with us and upon arrival at the Opera House, as set out in our General Terms and Conditions for Tickets and Attendance at Events and our Customer Privacy Statement.
As the ticket purchaser, you are responsible for recording the contact details of your guests. Contact information will only be used for the purposes of contact tracing, if required, and will be deleted at least 28 days after your event.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend. If you can no longer attend because you are unwell, or have been in contact with someone displaying COVID-19 symptoms, the Opera House has introduced flexible ticketing options to help you.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Bach’s Christmas Oratorio
The Christmas Oratorio is easily one of the most inspired musical enactments of the Nativity. Brett Weymark has chosen the first three parts, from the exultant opening to the tender scenes in the stable and the festive arrival of the shepherds.
Simone Young conducts Mahler’s Fifth Symphony
In a celebrated Sydney tradition, Chief Conductor Simone Young opens the Sydney Symphony Orchestra's season with one of Mahler's sublime symphonies in a concert of passionate and electrifying music.
River
A cinematic odyssey exploring the waterways that have shaped our world, in all their majesty and fragility.