Visual-Music Energies

  • Classical Music
  • Contemporary Music
  • Utzon Room
  • Run time - 180 minutes, one 20 minute interval

Asian-Australian intertwined energies of poetic-visual-music

Qiyun in Chinese aesthetics are intertwined energies across human breath, ink splashing and string sonic vibrations. Four extraordinary musicians Ying Liu (erhu), Chuqiao Zhao, Yuyan Tang (guzhengs) and Joshua Hill (percussion) and others perform new musics to short films curated by internationally active filmmaker Vincent Tay and composer Bruce Crossman, based on leading Asian-Australian artists Jin Sha, Louise Zhang, Mai Nguyễn-Long, Lucy Pulvers, Cheolyu Kim and Richard Wu, with poetic responses by Kate Fagan, Kim Pham and Joshua Mostafa. The full weight of the creativity includes a dynamic group of creatives from Western Sydney in this multi-artform project skilled in ancient Asian instruments with cutting-edge contemporary musics and improvisation responding to artists visions, including Cheolyu Kim’s “Journey to Nowhere” (2019).

Presented by International Chinese Art and Culture Association and Western Sydney University

Event details

a poetic and worldly delivery brings in some unique instruments…an extremely atypical and exciting listen.

Take Effect Review, 2021

Program

Concert

Introduction  Saba Bebawi
Welcome to Country  WSU Indigenous Elder
Fisherman’s Song at the Dusk  Chinese Traditional Music
Blooms Late When Spring is Gone  Bruce Crossman
The Other Shore  Ying Liu & Shenghan Huang
Poetry Reading 1: Amplifier Birch Coil: after Cheolyu Kim  Kate Fagan
Fire-Huǒ-Afi  Bruce Crossman
Blackbird  Clare Maclean
Comprovisation 1  Oliver O’Reilly & Yuyan Tang

Interval

Poetry Reading 2: Tran Sends Ants  Kim Pham
Improvisation 1  Brendan Smyly & John Encarnação
Electroacoustic Composition 1  Andrew Milne
Poetry Reading 3: A Child Is Born  Joshua Mostafa
Duet for touch and light: Guzheng  Noel Burgess
Spin: A Quantum Entanglement  Diana Blom

Artists/Films

Fisherman’s Song at the Dusk  Richard Wu, Behrad Rezaei & Lucy Wang
Blooms Late When Spring is Gone  Richard Wu & Behrad Rezaei
The Other Shore  Richard Wu & Behrad Rezaei
Fire-Huǒ-Afi  Cheolyu Kim & Vincent Tay
Blackbird  Louise Zhang & Chris Mallas
Poetry Reading 1: Amplifier Birch Coil: after Cheolyu Kim  Kate Fagan
Fire-Huǒ-Afi  Bruce Crossman
Blackbird  Clare Maclean
Comprovisation 1  Lucy Pulvers & Billy Moar

Interval

Improvisation 1  Mai Nguyễn-Long & Abubakr Sajid
Electroacoustic Composition 1  Jin Sha, Chris Mallas, Billy Moar, Abubakr Sajid
Duet for touch and light: Guzheng  Jin Sha, Behrad Rezaei & Angelica Teng
Spin: A Quantum Entanglement  Louise Zhang, Behrad Rezaei & Lucy Wang

Talk

Chair  Jing Han
Artist/Psychiatrist  Richard Wu
Artist  Leo Robba
Composer  Andrew Milne
Music Therapist  Alison Short
Composer  Clare Maclean
Poet  Kate Fagan

Credits

Artist information

Executive Producer  Bruce Crossman
Film Director  Vincent Tay
Music Director/ Erhu  Ying Liu
Percussion  Joshua Hill
Guzheng  Chuqiao Zhao, Yuyan Tang
Saxophone/ Electronics  Brendan Smyly
Prepared Acoustic Guitar  John Encarnação
Piano  Oliver O’Reilly, Shufang Zhang, Diana Blom
Electronics  Noel Burgess, Andrew Milne
Poetry Reading  Kate Fagan, Kim Pham, Joshua Mostafa
Film  Chris Mallas, Billy Moar, Abubakr Sajid
Design  Behrad Rezaei

Technical coordination

Technical Director (sound)  Alexander Frendo
Technical Director (film)  Vincent Tay
Camera Operator 1  Chris Mallas
Camera Operator 2  Billy Moar
Camera Operator 3  Abubakr Sajid
Program Design  Lindsay Liu

Advisory panel

Dean, School of Humanities and Communication Arts, WSU  Saba Bebawi 
Acting School Manager, SoHCA, WSU  Jessica Simpson 
Director, Institute for Australian and Asian Arts & Culture, WSU  Jing Han
Director, Writing and Society Research Centre, WSU  Kate Fagan
Associate Dean Engagement, SoHCA, WSU  Leo Robba
Design Director of Academic Program, SoHCA, WSU  Michelle Catanzaro
International Chinese Art and Culture Association  Ying Liu
Design Director of Academic Program, SoHCA, WSU  Michelle Catanzaro, Richard Wu

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Attending this event

Plan your visit

Address

Sydney Opera House
Bennelong Point
Sydney NSW 2000
Australia

Getting to the venue

The Opera House is a 7-10 minute walk from Circular Quay, and is easily accessible by car, train, ferry, lightrail, bus, bike and on foot.

Location and access

Utzon Room

The Utzon Room is located on the Eastern side of the Opera House, in front of the Joan Sutherland Theatre. Best accessed through the Box Office Foyer or the Covered Concourse. All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).

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