Janáček's String Quartet No.2
17 - 18 February 2023
In the Utzon Room
Classical Music
The emotional impact of the string quartet is fully realised in Janáček’s intimate letters.
| Date | Time |
| Friday 17 February | 6pm |
| Saturday 18 February | 6pm |
Standard | Price |
|---|---|
| Unreserved Seating | $89 |
Concession | Price |
|---|---|
| Unreserved Seating | $81 |
Concession | Price |
|---|---|
| Unreserved Seating | $45 |
$8.95 booking fee applies per transaction
General Public tickets on-sale
10am, Monday 14 November
Age
Recommended for ages 12+
Children aged 15 years and under must be accompanied at all times. Children aged 0-23 months at the time of a performance may be seated on a parent’s lap free of charge. All children occupying a seat or aged 2 year/s of age or older must hold a valid ticket.
Intimate Letters
Janáček’s Second String Quartet uses the full emotional range of string instruments to express the complexities of life, with soaring melodies and moods that shift restlessly from calm to ecstatic, intense and expansive.
The work was inspired by Janáček’s love for Kamila Stösslová, a young married woman. The music twists and turns with the changing fortunes of their relationship revealed through their 700 letters.
Grammy Award-winning American composer Joan Tower’s Rising is a work of perpetual upward movement. A dazzling, continuous expansion gathering intensity throughout, the piece is a dynamic prelude to Janáček’s Quartet.
This virtuosic program is an opportunity to see Sydney Symphony musicians up close in the Utzon Room – an intimate setting that’s perfect for music about love and change.
Programme
JOAN TOWER Rising
JANÁČEK String Quartet No.2, Intimate Letters
Artists
Sydney Symphony Orchestra Musicians
Joshua Batty, Lerida Delbridge, Timothy Nankervis, Anna Skálová, Justin Williams
Presented by Sydney Symphony Orchestra
Sydney Symphony Orchestra
Join the Sydney Symphony Orchestra and their Chief Conductor Simone Young in the renewed Concert Hall for the 2023 Season, filled with beautiful, inspiring music from the greatest composers of all time. There’s so much to discover.
Other information
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six min walk to the Opera House.
Covid-safe information
The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.
The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene. Please stay home if you feel unwell and read more about our flexible ticket options.
The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Beethoven’s Septet
With its breezy air, six short, characterful movements, and ample opportunity for individual solos, Beethoven’s Septet was understandably a popular party piece.
Augustin Hadelich performs Mendelssohn’s Violin Concerto
Violin sensation Augustin Hadelich returns with Mendelssohn's exquisite Violin Concerto, led by Chief Conductor Simone Young.
Ingrid Fliter performs Chopin
Chopin's glittering First Piano Concerto captures the powerful feelings of youth. Written when he was 20, it's one of two works he composed for orchestra.